The Smiths, an English alternative rock band, formed in Manchester in 1982. They were known for their songwriting partnership with vocalist Morrissey and guitarist Johnny Marr. The band also included bassist Andy Rourke and drummer Mike Joyce. Critics have called them the most important alternative rock band to emerge from the British independent music scene.
How Soon Is Now? is a song by the Smiths, written by singer Morrissey and guitarist Johnny Marr. The song is about their frontman Morrissey’s crippling shyness, which is described as their most enduring record by guitarist Johnny Marr. The song also appears in the movies The Wedding Singer and Closer. The Russian duo T.A.T.u. covered the song in 2002.
The Wedding Singer is a 1998 American romantic comedy film directed by Frank Coraci, written by Tim Herlihy, and produced by Robert Simonds and Jack Giarraputo. The movie follows Robbie Hart, a local rock star turned wedding singer, who is dumped on the day of his wedding. Meanwhile, waitress Julia sets a wedding date with her fiancée Glenn, and they find that things are more complicated than anyone thought.
The Smiths’ “How Soon Is Now?” is a memorable song from their album, featuring the scene where Robbie Hart comes home drunk from performing at a wedding and Linda, the bride’s fiancée.
📹 The Wedding Singer ~ How Soon Is Now? (The Smiths)
Adam Sandler as Robbie Hart / Drew Barrymore as Julia Sullivan.
Did Rose McGowan actually sing in Charmed?
Rose McGowen sang “Fever” in the episode. She dated Marilyn Manson and has recorded songs for many movies. Piper: Yeah, Phoebe, I said that. How could a monkey do that? Piper: Who said what? The monkey? The monkey didn’t say anything. He covered my eyes and took my eyesight. Phoebe: The monkey stole your eyesight when he covered your eyes.
Who wrote most of The Smiths songs?
- The majority of the Smiths songs were written by the songwriting partnership of Morrissey and Johnny Marr.1 Throughout their career, their songs differed from the predominant synth-pop British sound of the early 1980s,2 instead fusing together 1960s rock and post-punk.9In their early years, the band purposely rejected synthesisers and dance music,10 until Meat Is Murder, which contained keyboards as well as rockabilly and funk influences.11 The Queen Is Dead was notable for featuring harder-rocking songs with witty, satirical lyrics of British social mores, intellectualism and class.12 Throughout their career, Morrissey drew attention during interviews and live performances for his provocative statements, such as criticising the Thatcher administration and being pro-vegetarian, as shown in the title track of Meat Is Murder.13 The Smiths often addressed controversial topics in their lyrics, including homosexuality (Hand in Glove),2 the Moors murders (Suffer Little Children),2 as well as burning the disco and hanging the DJ (Panic).14 Since their breakup, the Smiths have been considered one of the most influential bands of the 1980s,2 with Ian Youngs of BBC News describing them as the band that inspired deeper devotion than any British group since the Beatles.15 *^ Performed live as a medley with Rusholme Ruffians31
- *^ a b Goddard, Simon. The Smiths: Songs That Saved Your Life. Reynolds and Hearn. p.38. ISBN978-1-905287-14-7.
- ^ a b c d e f g h i j Erlewine, Stephen Thomas. The Smiths – Biography & History. AllMusic. Archived from the original on 15 December 2018. Retrieved 19 January 2019.
- ^ Erlewine, Stephen Thomas. The Smiths – The Smiths. AllMusic. Archived from the original on 22 December 2018. Retrieved 19 January 2019.
- ^ Erlewine, Stephen Thomas. Hatful of Hollow – The Smiths. AllMusic. Archived from the original on 12 February 2019. Retrieved 19 January 2019.
- ^ DiGravina, Tim. The World Wont Listen – The Smiths. AllMusic. Archived from the original on 12 February 2019. Retrieved 25 January 2019.
- ^ Erlewine, Stephen Thomas. Louder Than Bombs – The Smiths. AllMusic. Archived from the original on 12 February 2019. Retrieved 25 January 2019.
- ^ Erlewine, Stephen Thomas. Strangeways, Here We Come – The Smiths. AllMusic. Archived from the original on 30 October 2018. Retrieved 25 January 2019.
- ^ DiGravina, Tim. Rank – The Smiths. AllMusic. Archived from the original on 7 June 2019. Retrieved 30 January 2019.
- ^ Reynolds, Simon C. W. The Smiths – Members, Songs, & Facts. Britannica Online. Archived from the original on 30 January 2019. Retrieved 30 January 2019.
- ^ Rogan, Johnny. Morrissey and Marr: The Severed Alliance. London: Omnibus. pp.281–282. ISBN978-0-7119-3000-1.
- ^ Erlewine, Stephen Thomas. Meat Is Murder – The Smiths. AllMusic. Archived from the original on 24 January 2019. Retrieved 19 January 2019.
- ^ Erlewine, Stephen Thomas. The Queen Is Dead – The Smiths. AllMusic. Archived from the original on 26 December 2018. Retrieved 25 January 2019.
- ^ Adams, Erik (28 February 2015). The Smiths Meat Is Murder is nauseating to vegetarians and carnivores alike. The A.V. Club. Archived from the original on 10 February 2019. Retrieved 10 February 2019.
- ^ What is the Meaning of Panic By The Smiths?. Radio X. 13 October 2018. Archived from the original on 10 February 2019. Retrieved 10 February 2019.
- ^ Youngs, Ian (17 February 2013). Johnny Marr on The Smiths and going solo. BBC News. Archived from the original on 19 April 2013. Retrieved 10 February 2019.
- ^ a b c d e f g h i j k Hatful of Hollow (LP liner notes). The Smiths. UK: Rough Trade Records. 1984.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
- ^ a b c d e f g h i j k l m The World Wont Listen (liner notes). The Smiths. UK: Rough Trade. 1987.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
- ^ Ask (liner notes). The Smiths. UK: Rough Trade Records. 1986. RTT 194.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
- ^ a b Rubber Ring/Asleep (liner notes). The Smiths. UK: Rough Trade Records. 1985. RTT 191.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
- ^ a b Back to the Old House/These Things Take Time (liner notes). The Smiths. UK: Rough Trade Records. 1984. RTT 146.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ a b c d e f g h i Meat Is Murder (LP liner notes). The Smiths. UK: Rough Trade Records. 1985.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ a b c d e f g h i j The Queen Is Dead (LP liner notes). The Smiths. UK: Rough Trade Records. 1986.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ a b c d e f g h i j Strangeways, Here We Come (LP liner notes). The Smiths. UK: Rough Trade Records. 1987.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ Frankly Mr. Shankly/The Draize Train (liner notes). The Smiths. Germany: Zensor. 1986. 6.20628 AE.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ Girl Afraid (liner notes). The Smiths. UK: Rough Trade Records. 1986. RTT 156.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ a b c d Louder Than Bombs (LP liner notes). The Smiths. UK: Rough Trade Records. 1987.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ Golden Lights (liner notes). The Smiths. UK: Rough Trade Records. 1986. RTT 194.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ a b London/Half a Person (liner notes). The Smiths. UK: Rough Trade Records. 1986. RTT 195.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ a b c d e f g h i j The Smiths (LP liner notes). The Smiths. UK: Rough Trade Records. 1984.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ Heaven Knows Im Miserable Now (liner notes). The Smiths. UK: Rough Trade Records. 1986. RTT 156.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ a b Rank (LP liner notes). The Smiths. UK: Rough Trade Records. 1988.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ a b How Soon Is Now (liner notes). The Smiths. UK: Rough Trade Records. 1984. RTT 166.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ a b Work is a Four-Letter Word/I Keep Mine Hidden (liner notes). The Smiths. UK: Rough Trade Records. 1987. RTT 197.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ a b Is It Really So Strange? (liner notes). The Smiths. UK: Rough Trade Records. 1987. RTT 196.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ Jeane (liner notes). The Smiths. UK: Rough Trade Records. 1983. RTT 156.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ a b Money Changes Everything/Unloveable (liner notes). The Smiths. UK: Rough Trade Records. 1986. RTT 192.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ Well I Wonder/Oscillate Wildly (liner notes). The Smiths. UK: Rough Trade Records. 1985. RTT 176.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ Panic (liner notes). The Smiths. UK: Rough Trade Records. 1986. RTT 193.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ Shakespeares Sister (liner notes). The Smiths. UK: Rough Trade Records. 1985. RTT 181.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ Sheila Take a Bow (liner notes). The Smiths. UK: Rough Trade Records. 1987. RTT 196.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ Shoplifters of the World Unite (liner notes). The Smiths. UK: Rough Trade Records. 1986. RTT 195.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ What She Said/Stretch Out and Wait (liner notes). The Smiths. UK: Rough Trade Records. 1985. RTT 181.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ This Charming Man (liner notes). The Smiths. UK: Rough Trade Records. 1983. RTT 136.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ I Started Something I Couldnt Finish (Cassette single label). The Smiths. UK: Rough Trade Records. 1987. RTT 198C.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ William, It Was Really Nothing (liner notes). The Smiths. UK: Rough Trade Records. 1984. RTT 166.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link); ^ Wonderful Woman (liner notes). The Smiths. UK: Rough Trade Records. 1983. RTT 136.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
Why did Charmed lose its theme song?
The music on streaming versions of the show is different because of rights issues. They also use the altered theme song from season 8 in all of the earlier seasons. The DVD and Blu-ray releases of the show have the same soundtrack as the show. In the episode “Charmed and Dangerous,” there were more scenes. Piper’s will-writing scene was longer. Leo asks what he’s going to do with the book of shadows. Piper says to give it to one of his charges. Phoebe and Cole also wrote a spell to defeat the Source. In Witch Way Now, Leo and Darryl searched the witch hunters’ office and got caught. The original ending of Oh My Goddess Part 2 didn’t end with Chris and Leo. Chris waved his hand, and Leo disappeared. You see him in a cage in Valhalla.
Did The Smiths ever have a number 1?
1985: Meat Is Murder. In early 1985, the Smiths released their second album, Meat Is Murder. It was more political than the first album, including the pro-vegetarian title track, the light-hearted republicanism of Nowhere Fast, and the anti-corporal punishment The Headmaster Ritual and Barbarism Begins at Home. The band had also grown more diverse musically. Marr added rockabilly riffs to Rusholme Ruffians and Rourke played a funk bass solo on Barbarism Begins at Home. The album was preceded by the re-release of the B-side “How Soon Is Now?” as a single. That song was not on the original LP, but it has been added to subsequent releases. Meat Is Murder was the band’s only UK number one album. Morrissey brought a political stance to many interviews, courting controversy. He criticized the Thatcher government, the British monarchy, and the Band Aid famine relief project. Morrissey said that while he cared about the people of Ethiopia, he didn’t like the music that came from the Band Aid project. The next single, “Shakespeares Sister,” reached number 26 on the UK Singles Chart. The only single from the album, “That Joke Isnt Funny Anymore,” barely made the top 50. In 1985, the Smiths toured the UK and the US. The Queen Is Dead. The Smiths’ third album, The Queen Is Dead, came out in June 1986. It was followed by singles The Boy with the Thorn in His Side and Bigmouth Strikes Again. Marr added strings with keyboards on several tracks. The Queen Is Dead reached number two in the UK charts.A legal dispute with Rough Trade delayed the album by almost seven months. Marr was stressed by the band’s busy schedule. He later told NME, “Worse for wear wasn’t the half of it.” I was very sick. By the time the tour ended, it was dangerous. I was drinking too much. Rourke was fired from the band in early 1986 for using heroin. He got the news on a Post-it Note stuck to his car window. It said, “Andy, you’re fired from the Smiths.” Goodbye and good luck, Morrissey. Morrissey denied this.
Did Adam Sandler write any of the songs for The Wedding Singer?
Two songs from the 1998 film also made it into the musical. Both were written by Adam Sandler and Tim Herlihy. The musical’s plot is similar to the 1998 film, but there are differences.
Why did the Smiths split up?
The Smiths signed to Rough Trade Records in 1983 and released their first album in 1984. They rejected synth-pop and focused on a guitar, bass, and drum sound, fusing 1960s rock and post-punk. Many Smiths singles made the UK Singles Chart top 20, and all their studio albums made the UK Albums Chart top 5, including the number-one album Meat Is Murder. They used keyboards while still keeping guitar as the main instrument. They had mainstream success in Europe with The Queen Is Dead and Strangeways, Here We Come, which both entered the top 20 of the European Albums Chart. In 1986, the band briefly became a five-piece with the addition of guitarist Craig Gannon. The Smiths broke up in 1987 because of internal tensions and lawsuits over royalties. The members said the band would never reunite.
History 1982: The band formed and played their first shows. In May 1982, Johnny Marr and Steve Pomfret went to Steven Morrissey’s house to ask him to start a band. Marr and Morrissey had met at a Patti Smith concert in Manchester in 1978. They bonded over their love of poetry and literature. Marr liked the New York Dolls and was impressed that Morrissey had written a book about them. He was inspired to turn up on his doorstep after seeing Jerry Leiber do it. We got along great. We were similar in drive. They found they liked many of the same bands. When Marr looked through Morrissey’s singles, he found the Monochrome Set, a band they both liked.The next day, Morrissey called Marr to say he wanted to start a band with him. They held their first rehearsal a few days later in Marr’s attic room in Bowdon. Morrissey wrote the lyrics for “Don’t Blow Your Own Horn,” the first song they worked on. They decided not to keep it. Marr said neither of them liked it much. The next song they worked on was “The Hand That Rocks the Cradle.” It was based on lyrics by Morrissey. Marr based the tempo on the Patti Smith song “Kimberly,” and they recorded it on a TEAC three-track cassette recorder. The third track was “Suffer Little Children.” Morrissey suggested they cover “I Want a Boy for My Birthday,” a song by the 1960s American girl band the Cookies. Marr agreed, and the song was recorded on his TEAC machine.
Is Adam Sandler actually singing in wedding singer?
In The Wedding Singer, Robbie sings an original song he wrote for Julia called “Somebody Kill Me Please.” He cries during the song, talking about his heartbreak and depression. We’re meant to laugh at the song’s mood swings while feeling Robbie’s sadness. Without the comedy, it’s just a scene of Robbie crying. This scene uses Sandler’s rage well, for both comedy and drama. This scene also shows Sandler’s future performance in 2007’s Reign Over Me, where he plays a man who lost his family on September 11th. His characters’ grief in that film sometimes comes out in sudden bursts of emotion, like in The Wedding Singer. Sandler’s anger is one of his best qualities as an actor. Writers and directors have been exploiting it for decades. His characters are often good but get angry when they face bad things. In one scene in The Wedding Singer, Robbie talks with his best friend Sammy. Sandler plays it straight, showing his character has given up on finding happiness. After a few drinks, he talks to Sammy, who chases after women. Sammy tells Robbie that treating women badly makes him unhappy. This makes Robbie realise that being cynical is pointless. The scene has some funny moments when an old man at the bar makes some jokes, but it’s mostly dramatic. In this scene in The Wedding Singer, Sandler speaks softly, making us realize when he’s being sincere. For comedic scenes, this soft demeanor works better than his outbursts. He uses this skill to draw in the audience and make them feel close to him.
What is the biggest hit by the Smiths?
What are the biggest Smiths songs? There Is A Light That Never Goes Out. … Smiths – This Charming Man. … The Smiths – Heaven Knows I’m Miserable Now. … The Smiths – How Soon Is Now? The Smiths – Please Let Me Get What I Want. … The Smiths – Bigmouth Strikes Again. This week, Radio X looks at the Manchester band’s legacy and their most popular songs. The Smiths only lasted five years. Their first gig was in late 1982, and they broke up in the autumn of 1987. In five years, the Manchester band made great music. Which Smiths studio tracks are the most popular in 2023? Radio X looked at data from Spotify and YouTube to create a definitive list of Smiths songs.
📹 The Smiths – How Soon Is Now? (Official Music Video)
Official video for How Soon Is Now? by The Smiths Stream The Smiths greatest hits here ▷ https://lnk.to/TheSmithsHits Subscribe …
RIP Andy Rourke one of the smoothest and funkiest bass players of all time, you can hear him carrying that back beat also Johnny Marr and Morrissey are a songwriting pair for the ages, that Tremolo effect is so haunting yet so amazing! My music producer friend and I were listening to Morrissey’s solo work earlier and it just isn’t the same without The Smiths line up, I wanna throw him love while I’m here as we’ve been through a lot together, try searching Lonely Gimmick – Roll Me Over, it gives me Smiths jangle pop vibes and I’m honestly so impressed with the tune as he did it all himself on his laptop
I was 18 and remember back in 1988, this was used in a Pepe Jeans commercial in England…I used to cry every time it came on. I’m 50 now, and it still gets me. Johnny Marrs guitar cries. I met Johnny a few years back and he said the song almost didn’t happen because of how complicated it was to get that now famous sound out of the guitar…apparently it took weeks to get right, but he said now, a kid could create the sound with an iPhone. Long live the kings
The best thing about this song was dancing to it in night clubs. I’m not sure most younger people realize that almost all of these alternative songs were great dance songs. Turn down the lights, turn on the strobe if you have one, and just dance to one after another for an hour or more. Yes, by yourself…if someone else is around, they do their thing on the dance floor and you do yours.
fuck imagine hearing this song when it came out. it was probably the most original sounding, powerful shit in all of rock at the time. not to mention the lyrics crushed every other band out there. i would have lost it. this would have been my favorite band ever if i had discovered them when i was in middle or high school.
JOHNNY MARR’S MOST BRILLIANT RIFF EVER! MORRISSEY’S MOST ANGST RIDDEN LYRICS EVER UTTERED! ONE OF THE PERFECT SONGS OF ALL TIME! I’LL NEVER FORGET WHEN THEY OPENED THEIR 1987 NYC SHOW (PIER 42) WITH THIS SONG! I STILL GET GOOSEBUMPS THINKING ABOUT THAT MOMENT WHEN JOHNNY STARTED THE RIFF AND MORRISSET CAME SAUNTERING OUT ON STAGE.
I remember dancing to this song in an alternative goth club in the late 80s. I’d borrowed a friends handcuffs and I had handcuffed my hands behind my back as a lark. I’m pretty tall and there was this shorter guy with a massive mohawk dancing in front of me. Sometimes as we swayed around to this song, I’d get a faceful of stiff, hairsprayed mohawk in my face. I can remember it all crystal clear. Good times.
Yes, children, this was much, much more than the opening theme to “Charmed”, in it’s day up to present, it remains a deeply emotional, soul haunting experience. It was perfect background noise for my broken hearted soul (divorce, loss of parent, loss of job, residence, health issues, all in one year)….and this just my mid-twenties. Cried my eyes out listening to it play out over my ‘top of the line’ Pioneer speakers, sitting in my ’70 Camaro, in a darkened parking lot. I realize how lucky I am to be 61 these days!
Lyrics: I am the son And the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does I am the son And the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does There’s a club if you’d like to go You could meet somebody who really loves you So you go and you stand on your own And you leave on your own And you go home and you cry And you want to die When you say it’s gonna happen now When exactly do you mean? See I’ve already waited too long And all my hope is gone You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does
my first time really listening to this and I’m already on my 5th repeat, looking at all the comments of people saying how much nostalgia this gives them of a time when they first heard this song and it’s making me appreciate this moment in time that im at right now as I write this just knowing that maybe in years to come other people will be discovering this song and I’ll be reminded of this very moment currently sitting on the roof of my house at 12am
We loved the 80s music, we visited local new wave clubs and we enjoyed all that 80s music era had to offer, the best era in music. The Smiths was one of them and we loved them. A few years back, I am driving my daughter to the airport and she goes, do you mind if I play something that I really like, so I said of course. She played this song by the Smiths. I go, wow, the Smiths. She responded asking how do I know the Smiths, but my question was, how does she? Amazing and timeless music and she was completely unaware of me knowing about them and loved the music, because it is great music.
The Smiths, The Cure, Siouxsie and the Banshees, etc. was the music I listened to as a young adult. Man, when this song came on, dozens of us would get up on the dance floor in our over sprayed, spiked hair, leather jackets and fishnets and have the best time EVER. Now at 50, this brings me back to a care free time when music was not mainstream, highly creative (not that there aren’t musicians worthy of this now, but not many), and as unique as the 870’s and early 90’s.
Lyrics- I am the son And the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does I am the son And the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does There’s a club if you’d like to go You could meet somebody who really loves you So you go and you stand on your own And you leave on your own And you go home and you cry And you want to die When you say it’s gonna happen now When exactly do you mean? See I’ve already waited too long And all my hope is gone You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does
People don’t give drummer Mike Joyce enough credit, he is on a very short list of drummers from the 80s that made beats so unique you know what song it is when the drums start, as a long time drummer a lot of those beats are epic, like Larry Mulen Jr., the whole band was talented, and they had a lot of back up guitarists supporting the band live,those songs have 2 guitars,which you can see when he went solo and saw his new band.
When I first heard this song (mid 80s) it entranced me. I taped it off the radio and would play it regularly when I was alone. This was a quite a big deal for me as I was a rocker…long hair and into Metallica, Megadeth, etc. Beck then I knew it was a special song but I couldn’t have told you why. Now I know…it captured the time perfectly. When I hear it, no matter where I am, I get transported to my teenage years during the 80s…high school, my friends, my girlfriends, how simple and innocent it all seemed back then. I will always love this song…every time I hear it it makes me feel good.
Heard this song for the first time on Dave Fanning’s radio show on a Friday night in around 1991 in my dad’s car outside a supermarket in Rathfarnham, Dublin, waiting to collect my friend from his part-time job. It was a sound I had never heard before in my life. When my friend got in the car, he just said “it’s good isn’t it?” I was speechless. I will never, ever forget the first time I heard this song.
I am the son And the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does 🎸 I am the son And the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does 🎸 There’s a club if you’d like to go You could meet somebody who really loves you So you go and you stand on your own And you leave on your own And you go home and you cry And you want to die
I am the son and the heir of a shyness that is criminally vulgar I am the son and heir of nothing in particular You shut your mouth how can you say I go about things the wrong way I am human and I need to be loved just like everybody else does I am the son and the heir of a shyness that is criminally vulgar I am the son and the heir of nothing in particular You shut your mouth how can you say I go about things the wrong way I am human and I need to be loved just like everybody else does There’s a club if you’d like to go you could meet somebody who really loves you so you go, and you stand on your own and you leave on your own and you go home, and you cry and you want to die When you say it’s gonna happen “now” well, when exactly do you mean? see I’ve already waited too long and all my hope is gone You shut your mouth how can you say I go about things the wrong way I am human and I need to be loved just like everybody else does
I was driving around the warehouse at work on my forklift the other day and this song just came to me out of the blue. Just the guitar part the sound of a fast car speeding by laying in their horn fading off in the distance kind of thing. Haunting me all day long. I knew it was a distant hit some time in the 80s or 90’s but I didn’t know whether it came from the movie soundtrack or what I didn’t know who sang it today I finally heard it from the professor of rock who mentioned it and one of the songs from the 80s he liked and finally I knew it was The Smiths and now I can play this song and it’s entirety I had no idea it had lyrics I just remember that one particular rift is haunted me from the 80s lol cool song
I discovered this song in 2005, at 21, soon after moving to a big city (from a small town), trying to find myself, and newly into a so-called alternative relationship that was highest of highs and lowest of lows. This song always takes me back to that roller coaster of a time in my life…deeply unsettling yet addictingly thrilling…the masochistic side of me yearns to go back and experience it again…
Brings back the memories of high school/college…. And sadly I thought then that with all the conflicts then around the world and The Wall coming down/USSR failing and democracy spreading to Poland and then others, that we would finally have some peace and growth in this world. Music like this is the only “drug” that both recognizes and soothes my melancholy.
This was my official unrequited love song back in highschool that i would play over and over as a contemplated how unfair life was. then I shot up to 6ft5 and started getting muscle and things changed for me, well until i was divorced at 30, now this song rings just as true as it did for the boney 13 year old i used to be.
I remember this song listen to it all the time. This is my very first song I heard from THE SMITHS that I loved so much. I love the girl in the article. I remember her beret and I remember I used to remember I just loved it so much that I went out and got my haircut just like that and I had to have a beret just like that I was a weird kid lol . this song resonated with me when I was like 16 17 I used to get bullied at school a lot and I had an abusive father so I had a really tough time growing up and I still get bullied from some people in my life like my sister still resonates in different parts powerful song, my biggest regret I never saw them live