Roses, originally from China, come in over a hundred varieties, featuring colors such as red, black, and white. They are considered the 2nd most beautiful thing in the world, with hundreds of named cultivars. White roses are traditionally associated with marriages and new beginnings, while dark purple roses bring intensity to any bouquet. English roses, like the Abraham Darby variety, are revered for their large blooms packed with petals and old-world fragrance. Many of the most beloved English roses come from the David Austin breeding program, where roses undergo an eight-year trial to identify the most beautiful.
A balanced 10-10-10 fertilizer provides nitrogen for healthy foliage, phosphorus for vigorous roots, and potassium for blossom formation. The first fertilizer application should occur as the plant breaks out of dormancy in the spring, with two more applications in mid-June and mid-July to keep the flower show going. The George Vancouver Rose is a shrub with an extraordinary number of flowers that bloom in clusters along a rich green foliage.
Roses are considered romantic and beautiful because of their rich colors, symmetry, and fragrance. They are also considered elegant and luxurious, with their elegance in flexibility and the presence of thorns. Roses are the most popular flowers used in bouquets, whether alone as a bouquet of long-stemmed red or white roses or nestled among other flowers.
📹 Delibes: Lakmé – Duo des fleurs (Flower Duet), Sabine Devieilhe & Marianne Crebassa
Soprano Sabine Devieilhe’s signature operatic role, Lakmé, forms the starting point for her enticing album Mirages. A collection of …
Why do girls like roses so much?
Romance. Flowers are romantic. Flowers, especially roses, have always been associated with romance. A woman will always feel loved if her partner buys her flowers. Some people think flowers and the romance they symbolize are old-fashioned. Ask a woman and she’ll probably say “timeless.”
Practicality. Many men don’t like flowers because they think they’re not practical. A good florist’s flowers are expensive but just for looks and smell. Flowers die and have to be thrown away. Men think, “Wouldn’t it be better to get her something practical?” Something she’ll use for years?” These gifts are fine for birthdays and Christmas, but they don’t work for romantic occasions because they’re practical. Cooking dinner with an appliance or playing with the latest electronic device isn’t romantic. Flowers are romantic because they say “I adore you.” Flowers say you spent money on her because you wanted to make her smile.
The element of surprise. Flowers are a surprise for women. Flowers are a surprise. Whether you give them to her at home or at work, she won’t expect them. These surprises keep relationships romantic and happy.
Why is rose the best?
A wide variety of colors, sizes, and shapes. Roses come in many different forms, colors, and sizes. They come in many sizes, from just a foot to 6 feet.
Long flowering season. Roses flower more than almost any other plant. The best varieties flower from late spring to early winter, providing lots of colorful, often fragrant blooms. Roses are beautiful and complement traditional and contemporary gardens. Many varieties are fragrant and repeat-flowering, and outperform other flowering plants. Once they’re established, they’re a real pleasure, bringing color and fragrance to your garden year after year.
Why are roses special?
Roses are romantic flowers. Roses are beautiful, meaningful, and special. They are associated with love and affection. Giving someone a rose is a way of saying you love them. Roses are a symbol of romance, passion, and intimacy. They’re the perfect flower to give to a loved one, even if it’s just because you love them!
Why are roses better than other flowers?
Long, abundant flowering season. Roses flower more than almost any other plant. The best roses flower from late spring to early winter, with lots of colorful, often fragrant blooms. Roses are beautiful and complement traditional and contemporary gardens. Many varieties are fragrant and repeat-flowering, outperforming other flowering plants. Once they’re established, they’re a real pleasure, bringing color and fragrance to your garden year after year.
A wide range of fragrances. Many roses have a beautiful fragrance. Fragrances vary a lot. Some are fruity, some are like tea, some are musky, and some are a mix of these. Some fragrances are strong, while others are subtle.
Why is rose the most beautiful flower?
1. Beauty and fragrance. Roses are beautiful and smell good. Roses are beautiful and smell good. The swirling petals, long stems, and oval leaflets make roses special. Roses come in many colors, from red to white. A rose flower is beautiful and smells good.
2. The epitome of love. A beautiful rose has always been a symbol of love, romance, humility, passion, enchantment, and desire. In literature, roses symbolize feelings and beauty. Muslims and Sufis see roses as a symbol of divine love. Roses are beautiful and smell good, so they make people feel love.
3. Cultural Value. Roses are important in Turkish, Greek, and spiritual cultures. For centuries, roses have been believed to create well-being and affect the physical, emotional, and spiritual being of a person. Different cultures say that roses heal. In Greek and Roman culture, roses are associated with the goddess Aphrodite. In Greek mythology, Aphrodite protects and nurses Hector and the youths with rose oil and rose blossoms. The Turkish people use roses in many ways.
What is the second most beautiful flower in the world?
The most beautiful flowers are irises. The iris flower is a masterpiece. … Lilac. Lilacs are a favorite for their sweet smell. … Water lily. Marigold. … Orchid. Dahlia. Bird of Paradise. … Rose.
Iris. The iris flower is a beautiful, intricate creation. It has been a popular subject for artists. Vincent van Gogh’s 1889 painting of irises contrasts purple irises that turn blue with yellow.
Lilac. Lilacs are a favorite for their sweet smell. The flowers are in clusters and come in different colors, from pale lavender to deep purple. They symbolize love and renewal.
Water lily. Claude Monet captured the beauty of water lilies in his art. The flowers symbolize purity, peace, and enlightenment. In Buddhism, the water lily represents the soul’s gradual unfolding.
Which is the most beautiful rose in the world?
Top 20 Most Beautiful Rose Species in the World: Josephs Coat Rose Winchester Cathedral Rose Michelangelo Rose Albrecht Durer Rose Eden Red Rose Rhapsody Rose Victor Hugo Rose Baccara Black Rose Joseph’s Coat Rose is a famous climbing rose with unique colors. This flower comes in many colors, including red with orange, yellow with red, and yellow with orange. The color of the flower depends on the weather, soil, and light. Joseph’s Coat Rose has big flowers with about 40 petals. This rose has a sweet, pleasant scent. Joseph’s Coat Rose is one of the world’s most beautiful roses. This beautiful climbing rose is perfect for your dream garden. Joseph’s Coat is a rare climbing rose with unusual colors.
What is the most luxurious rose?
2. DAVID AUSTIN JULIET ROSE. The most popular English rose is the David Austin Juliet Rose. This rose is popular at weddings because it’s beautiful. It took 10 years to develop this well-known rose, so it is the most expensive. The Juliet Rose first appeared at the 2006 Chelsea Flower Show. Since then, it has been a popular flower.
3. Shenzhen Nongke Orchid. This is one of the world’s most unique orchids. Chinese scientists developed it. Shenzhen Nongke University scientists developed the orchid in eight years. This orchid blooms every 4 to 5 years. This flower is rare, so it’s expensive.
4. GOLD OF KINABALU ORCHID. Another expensive orchid is the Gold of Kinabalu Orchid. This orchid got its name from the place it was first found, in the Kota Kinabalu mountain range in Malaysia. This orchid takes years to bloom and is found in Kinabalu National Park.
Are roses the most beautiful flowers?
The rose is the most beautiful flower in the world. It is called the “queen of the garden.” It’s one of the most popular flowers worldwide. They’re also very common. These flowers are great for decorating, making perfumes, and more! This flower comes from Asia and is popular worldwide. It’s beautiful and often used for decoration. The hydrangea is great for making bouquets because it looks good and has lots of volume and texture. The bleeding heart flower, called Dicentra, is one of the most striking flowers in the world. It’s unique and amazing, but not very well known. This flower is from Asia and comes in different colors, like red, fuchsia, and light pink.
Why are roses so symbolic?
Roses symbolize love, beauty, and mystery. They are also linked to success and perfection. Roses are loved around the world. Their scent is instantly recognizable, but different between varieties.
Do roses symbolize beauty?
Roses symbolize love, beauty, and mystery. They are also linked to success and perfection. Roses are loved around the world. Their scent is instantly recognizable, but different between varieties.
📹 Roses arethe most beautiful HD.wmv
Roses Last Rose of Summer Andre Rieu.
The first time I heard this was about 25 yrs ago. It was a cloudy cold late November day. I was driving my car and turned on the radio. A very light fluffy snow started coming down ever so gently. The snow flakes were the size of quarters. It was so surreal just witnessing this weather phenomenon. Then this duet started to chime in. The two sinced together at the same time. It was what I would equate to a religious experience. My heart was taken back. Something in the ethereal world had placed me in the moment to witness both the weather and the song dancing together as one. I’ll never forget that day.
The balance is exquisite — it’s so easy for the soprano to dominate in this duet, but here she is playing the character, not just singing the aria, and lets the mezzo through. Superb musicianship, and a true duet partner. Her tone and delivery of ‘bleu’ just before the reprise of the chorus for the last time takes my breath away every time. Stunning singing. And Marianne Crebassa is the perfect foil, authoritative without dominating, supporting the soprano line and allowing her to float it effortlessly without having to compete. Roth supports them sensitively, and the period ensemble make it intimate. I think they knew they had it in the bag after this take
Since I first heard this Duet, I listen to it every day because it reminds me of my Mother who passed away in 2018. She worked at the Croatian National Theater as a cleaner, but she took me with her every time there was an opera or play on the schedule. I have seen a lot of operas and plays in that theater, but I have never heard such a good “Duet”…❤
Without introduction or fanfare, I played this article on the big screen for my 3rd grade students. There were a few giggles and rolled eyes but, as the piece continued, my students saw how special this recording was to me. The following day I played it again, this time with some biographical info on the singers and opera in general. There were no giggles. The following day I played it once more. The children (8 yrs old) shared smiles with me and each other during each chorus. On the 4th day, at the library, the children insisted that we share the piece with our librarian. The children introduced the song to her, named the singers and gave a brief summary of the story. When the music began, there was not a fidget, wiggle, or sound in the room except for the sublime music they had come to love. ps They also love Ella Fitzgerald and Esmeralda Spalding. 🙂 but not like they love this duet.
Personally this is the definitive! Orchestra, conductor and singers seperated by zero, when it flows! Perfect enunciation a relaxed ensemble of time stopping brilliance, sabine and marianne push each other with affection and the confidence of their abilities. I dont think i will ever listen to a better version!
Air. Softened tone. Playful calibration of volume and rythmic agility. Crisp diction and sustained lines without strain and unnecessary bravura. Sheer palpable joy of singing that music and playing it together is a marvel of musicality. Am I dreaming? No. That is just a group of really and fully engaged musicians that are in love with material. Kudos to conductor François-Xavier Roth and his orchestra Les Siècles – for creation the hypnotic sonic atmosphere that evokes the trance-like state of suspended reality in listener. A lot of singers do that duet for its obvious beauty. But to make it anew to glow and shimmer in warm burnished tones – that requires a special sensibility and possession of means to express it. These two marvellous ladies stands out from the crowd of many even famous performers that took this duet on. Sabine Devieilhe & Marianne Crebassa seem to win it. That unshowy commited to music attitude is a rarity at any time anywhere. Mesmerizing sensuos sonic experience that uniqely delivered by engagement of all of this duet’s performers – is the evidence of their artistic commitment. It’s a good enough reason to be grateful for the opportunity of being transported for 6 minutes to something that closely resembles outer spheres. Merci, merci, merci…
Oh mon Dieu! what beauty! This brought tears to my eyes, once again. When my son was 5 years old, this part of the opéra played on Arte TV here in France, while he was playing with his toys. He stopped, let his toys go and dropped to his knees in front of the TV, and just stayed mesmerized by the music… It was just an heavenly moment and since then, every time I hear that part of the opera, I just cry with tears of joy…
How on Earth or any other planet for that matter, do two human beings open their mouths and such stunning beauty come out? Their entire body language just reeked of balance and partnership. I too have heard this piece many times but this, oh this I just wanted the camera to stay only with the magicians somehow conjuring true delight, literally from thin air. Thank you both.
I’ve hesitated to comment because i just don’t know what to say. Its perfection, as fallen men I can’t imagine what we will be like in Christ’s Glory. Everything is better in French, i especially love the word “oiseau.” It sounds so much more fitting for what it is than the word “bird.” Quelle belle langue!
Lakmé: Viens, Mallika, les lianes en fleurs Jettent déjà leur ombre Sur le ruisseau sacré qui coule, calme et sombre, Eveillé par le chant des oiseaux tapageurs. Mallika: Oh! maîtresse, c’est l’heure où je te vois sourire, L’heure bénie où je puis lire Dans le coeur toujours fermé De Lakmé! Lakmé: Dôme épais le jasmin Mallika: Sous le dôme épais où le blanc jasmin L.: À la rose s’assemble, M.: À la rose s’assemble, L.: Rive en fleurs, frais matin, M.: Sur la rive en fleurs, riant au matin, L.: Nous appellent ensemble. M.: Viens, descendons ensemble. L.: Ah! glissons en suivant M.: Doucement glissons; De son flot charmant L.: Le courant fuyant; M.: Suivons le courant fuyant; L.: Dans l’onde frémissante, M.: Dans l’onde frémissante, L.: D’une main nonchalante, M.: D’une main nonchalante, L.: Gagnons le bord, M.: Viens, gagnons le bord L.: Où l’oiseau chante, M.: Où la source dort. L.: l’oiseau, l’oiseau chante. M.: Et l’oiseau, l’oiseau chante. L.: Dôme épais, blanc jasmin, M.: Sous le dôme épais, Sous le blanc jasmin, L.: Nous appellent ensemble! M.: Ah! descendons ensemble! L.: Mais, je ne sais quelle crainte subite s’empare de moi. Quand mon père va seul à leur ville maudite, Je tremble, je tremble d’effroi! M.: Pour que le Dieu Ganeça le protège, Jusqu’à l’étang où s’ébattent joyeux Les cygnes aux ailes de neige, Allons cueillir les lotus bleus. L.: Oui, près des cygnes aux ailes de neige, Allons cueillir les lotus bleus. L: Dôme épais le jasmin M: Sous le dôme épais où le blanc jasmin L.
Absolutely wonderful !! “Sous le dôme épais Où le blanc jasmin À la rose s’assemble Sur la rive en fleurs Riant au matin Viens, descendons ensemble Doucement glissons De son flot charmant Suivons le courant fuyant Dans l’onde frémissante D’une main nonchalante Viens, gagnons le bord Où la source dort et L’oiseau, l’oiseau chante Sous le dôme épais Où le blanc jasmin Ah, descendons Ensemble Sous le dôme épais Où le blanc jasmin À la rose s’assemble Sur la rive en fleurs Riant au matin Viens, descendons ensemble Doucement glissons De son flot charmant Suivons le courant fuyant Dans l’onde frémissante D’une main nonchalante Viens, gagnons le bord Où la source dort et L’oiseau, l’oiseau chante Sous le dôme épais Où le blanc jasmin Ah, descendons Ensemble”
Notre petit fils est littéralement envouté dès qu’il entend cette interprétation …… qu’il écoute captivé jusqu’à la fin (3 ans) ! Par là, il vérifie peut être cet adage qui veut que la vérité sort de la bouche des enfants car il a raison; cette musique et cette interprétation sont vraiment magnifiques ! En outre, l’ambiance dégage simplicité et presque intimité, de sorte que l’on a l’impression que tout cela est joué pour nous ….. réellement très attachant. On y revient encore et encore chaque fois que notre petit bout passe son nez par ici .. Un immense bravo aux cantatrices (est ce le bon terme ?), à cet orchestre, et bien sûr, à Léo Delibes,
This is a spectacular rendition of the “Flower Duet!” It’s rare to hear any performance of this piece in which the orchestra is at all times only the supportive background structure for the vocalists. In nearly every other rendition I’ve heard, the orchestra “swells” often and repeatedly, overwhelming the vocalists. I believe this tendency to use the orchestra to nearly drown out the vocalists at certain points is a deliberate maneuver to cover over any weaknesses in the vocal performance. These ladies have no weaknesses that need to be drowned out or hidden by the orchestra in this case! All together, this is truly a sublime performance!
Un magnifique et merveilleux duo. Deux voix sublimes en parfaite coordination. Des musiciens talentueux sous l’autorité d’un chef d’orchestre faisant corps intégrale. Bravo vraiment bravo. J’ajouterais que c’est une des plus interprétations que j’ai eu le plaisir d’écouter. Un seul, regret, ne pas pouvoir faire découvrir cette œuvre sublime à nos auditeurs… BRAVO…
I love that the singers were nervous at first but before the first crescendo they give each other a look like “this is it, the moment we’ve been practicing a lot” and after that but they start smiling more and loosening up. Seems like they were having fun and to me as stressful as music is for those who don’t know, having fun is just as important. If you can manage to have fun at a performance you’re doing it right
Just on a loop on this one..so addictive..was amazed to know that the back story of the Opera is related to my country… The whole opera is set in British India in mid 19th century,about Lakme( french rendition of the name Goddess Lakshmi).. This piece of opera ‘the flower duet’ is a act when a Hindu Brahmin priest’s daughter Lakme(Lakshmi) and her friend Mallika go to gather flowers to riverside..Later, she falls in love with a British officer Gerald and the story goes on.. Clearly music has no boundaries of country,culture,religion..the ecstasy of such a masterpiece is what evryone experiences…
French lyrics Lakmé: Viens, Mallika, les lianes en fleurs Jettent déjà leur ombre Sur le ruisseau sacré qui coule, calme et sombre, Eveillé par le chant des oiseaux tapageurs. Mallika: Oh! maîtresse, c’est l’heure où je te vois sourire, L’heure bénie où je puis lire Dans le coeur toujours fermé De Lakmé! Lakmé: Dôme épais le jasmin Mallika: Sous le dôme épais où le blanc jasmin L.: À la rose s’assemble, M.: À la rose s’assemble, L.: Rive en fleurs, frais matin, M.: Sur la rive en fleurs, riant au matin, L.: Nous appellent ensemble. M.: Viens, descendons ensemble. L.: Ah! glissons en suivant M.: Doucement glissons; De son flot charmant L.: Le courant fuyant; M.: Suivons le courant fuyant; L.: Dans l’onde frémissante, M.: Dans l’onde frémissante, L.: D’une main nonchalante, M.: D’une main nonchalante, L.: Gagnons le bord, M.: Viens, gagnons le bord L.: Où l’oiseau chante, M.: Où la source dort. L.: l’oiseau, l’oiseau chante. M.: Et l’oiseau, l’oiseau chante. L.: Dôme épais, blanc jasmin, M.: Sous le dôme épais, Sous le blanc jasmin, L.: Nous appellent ensemble! M.: Ah! descendons ensemble! L.: Mais, je ne sais quelle crainte subite s’empare de moi. Quand mon père va seul à leur ville maudite, Je tremble, je tremble d’effroi! M.: Pour que le Dieu Ganeça le protège, Jusqu’à l’étang où s’ébattent joyeux Les cygnes aux ailes de neige, Allons cueillir les lotus bleus. L.: Oui, près des cygnes aux ailes de neige, Allons cueillir les lotus bleus. L: Dôme épais le jasmin M: Sous le dôme épais où le blanc jasmin L.
Most versions of this piece have 300-400,000 views the next Most popular is 1,200,000 over 8 yrs this version has over 21,000,000 over 6 yrs, so it’s not just my opinion that this is the most beautiful performance ever and will most likely never be surpassed, it brings tears no matter how many times I’ve listened to it.. .which is often…daily!!
I have heard other versions, and still feel Devieliihe and Crebassa’s duet is sublime and beautiful. It does not take an exquisite work and blow it up operatically to a ruinous voice competition. They are speaking together, they are in unison supporting each other, and they communicate this deeply to me.
I have adored Sabine ever since I heard the first note come out of her mouth. This mezzo soprano however has absolutely blown me away. I have never appreciated a mezzo soprano in opera like this until now. This is absolutely stunning, and I doubt this flawless brilliance will ever be recreated to this extent.
LAKME (gaiement) Viens, Mallika, les lianes en fleurs Jettent déjà leur ombre Sur le ruisseau sacré qui coule, calme et sombre, Eveillé par le chant des oiseaux tapageurs! MALLIKA Oh! maîtresse, C’est l’heure ou je te vois sourire, L’heure bénie où je puis lire dans le cœur toujours fermé de Lakmé! LAKME Dôme épais le jasmin, A la rose s’assemble, Rive en fleurs frais matin, Nous appellent ensemble. Ah! glissons en suivant Le courant fuyant: Dans l’on de frémissante, D’une main nonchalante, Gagnons le bord, Où l’oiseau chante, l’oiseau, l’oiseau chante. Dôme épais, blanc jasmin, Nous appellent ensemble! MILLIKA Sous le dôme épais, où le blanc jasmin A la rose s’assemble, Sur la rive en fleurs riant au matin, Viens, descendons ensemble. Doucement glissons De son flot charmant Suivons le courant fuyant: Dans l’on de frémissante, D’une main nonchalante, Viens, gagnons le bord, Où la source dort Et l’oiseau, l’oiseau chante. Sous le dôme épais, Sous le blanc jasmin, Ah! descendons ensemble! LAKME Mais, je ne sais quelle crainte subite, S’empare de moi, Quand mon père va seul à leur ville maudite; Je tremble, je tremble d’effroi! MALLIKA Pourquoi le Dieu Ganeça le protège, Jusqu’à l’étang où s’ébattent joyeux Les cygnes aux ailes de neige, Allons cueillir les lotus bleus. LAKME Oui, près des cygnes aux ailles de meige, Allons cueillir les lotus bleus. Ensemble LAKME Dôme épais le jasmin, A la rose s’assemble, Rive en fleurs frais matin, Nous appellent ensemble. Ah! glissons en suivant Le courant fuyant: Dans l’on de frémissante, D’une main nonchalante, Gagnons le bord, Où l’oiseau chante, l’oiseau, l’oiseau chante.
Here’s the lyrics in French LAKMÉ Viens, Mallika, les lianes en fleurs jettent déjà leur ombre sur le ruisseau sacré qui coule, calme et sombre, éveillé par le chant des oiseaux tapageurs! MALLIKA Oh! maîtresse, c’est l’heure où je te vois sourire l’heure bénie où je puis lire dans le coeur toujours fermé de Lakmé! (Both at the same time)* LAKMÉ Dôme épais le jasmin à la rose s’assemble rive en fleurs, frais matin, nous appellent ensemble. Ah! glissons en suivant le courant fuyant dans l’onde frémissante. D’une main nonchalante, gagnons le bord, où l’oiseau chante. Dôme épais, blanc jasmin nous appellent ensemble! MALLIKA Sous le dôme épais où le blanc jasmin à la rose s’assemble, sur la rive en fleurs, riant au matin, viens, descendons ensemble. Doucement glissons: de son flot charmant suivons le courant fuyant dans l’onde frémissante. D’une main nonchalante viens, gagnons le bord, où l’oiseau chante. Sous le dôme épais, sous le blanc jasmin, ah! descendons ensemble! LAKMÉ Mais je ne sais quelle crainte subite s’empare de moi; quand mon père va seul à leur ville maudite, je tremble d’effroi! MALLIKA Pour que le dieu Ganeça le protège, jusqu’à l’étang où s’ébattent joyeux le cygnes aux ailes de neige, allons cueillir les lotus bleus. LAKMÉ Oui, près des cygnes aux ailes de neige, allons cueillir les lotus bleus… (*)
Absolutely my favorite performance of Lakme’s Flower Duet. In so many, one of the pair completely overwhelms the other. The voices here are so perfectly matched that you can hear and enjoy each performance in it’s own perfection. And having French-speaking singers helps tremendously. I can understand the words.
English lyrics… Under a dome Where jasmine white To the rose assembles On the blossoming shore, Laughing in the morning Come on, let’s go down together. Slowly slide from its charming stream Let’s follow the fleeing current In the quivering wave With a nonchalant hand Come, let’s get to the edge, Where the spring sleeps and The bird, the bird is singing. Under a dome Where the jasmine white, Ah! Let’s go down Together! Under a dome Where jasmine white To the rose assembles On the blossoming shore, Laughing in the morning Come on, let’s go down together. Slowly slide from its charming stream Let’s follow the fleeing current In the quivering wave With a nonchalant hand Come, let’s get to the edge, Where the spring sleeps and The bird, the bird is singing. Under a dome Where the jasmine white, Ah! Let’s go down Together!
Sooooo glorious I feel faint after listening to it!! The beauty of these two voices … I’ve listened to great opera singers all my life, I’ve never heard any ANY more beautiful than these❤❤ And the Incredible artistry … the nuances of dynamics, control, their gorgeous blend … likes so many comments here, I never expect to hear anything that compares🙌🙌🌟🌟 Truly God’s gift🙏
Earphones in, eyes closed, volume at 11. I’m glad I’m not the only one who has watched this a million times – it is the definition of awesome, it never gets old and there’s always something new to hear in the performance. This has become my benchmark for this piece and has kindled a love for opera. Am I wrong?
It begins with a dancing oboe, interrupted by an angelic voice that was surely heaven sent. Then a dominating soprano picks it up, as if to reassure us this is no chance encounter! The orchestra lays it all down ever so gingerly, as this duet falls into a harmonic synchronization so sweet on the ear, one thinks God himself must have been caught by surprise! Wrapped in each other’s epic repose, they dance ever more closely, but never entangle. The listener can only watch mesmerized, by the sheer perplexity made simple, bewitched by these angelic beings before us! Then the real excitement begins, as the crescendo cascades to a perfect reverberation between these two dynamos which lay waste to interpretation that which has fallen gently upon our ears. What they perfected has left the listener to ponder in complete felicity! Cheers!
This is the most amazing article and performance! Perfection doesn’t even cover it! Every time I need something to remind me that peace still exists, miraculously, YouTube puts it in my awareness. 4 years now, Cancer surgery, Deaths of close family members, Pandemics, Wars, I return 🎼🎻🎺🎹🎤🎵🎶❤️ Thank You 🙏
Viens, Mallika, les lianes en fleurs Jettent déjà leur ombre Sur le ruisseau sacré qui coule Calme et sombre Éveillé par le chant des oiseaux tapageurs Ô maîtresse C’est l’heure où je te vois sourire L’heure bénie où je puis lire Dans le cœur toujours fermé de Lakmé Sous le dôme épais Où le blanc jasmin À la rose s’assemble Sur la rive en fleurs Riant au matin Viens, descendons ensemble Doucement, glissons de son flot charmant Suivons le courant fuyant Dans l’onde frémissante D’une main nonchalante Viens, gagnons le bord Où la source dort et L’oiseau, l’oiseau chante Sous le dôme épais Où le blanc jasmin Ah descendons Ensemble Mais je ne sais quelle crainte subite, s’empare de moi Quand mon père va seul à leur ville maudite Je tremble Je tremble d’effroi Pourvu que le Dieu Ganeça le protège Jusqu’à l’étang où s’ébattent joyeux Les cygnes aux ailes de neige Allons cueillir les lotus bleus Oui, près des cygnes aux ailes de neige Allons cueillir les lotus bleus Sous le dôme épais Où le blanc jasmin À la rose s’assemble Sur la rive en fleurs Riant au matin Viens, descendons ensemble Doucement glissons de son flot charmant Suivons le courant fuyant Dans l’onde frémissante D’une main nonchalante Viens, gagnons le bord, Où la source dort et L’oiseau, l’oiseau chante Sous le dôme épais Où le blanc jasmin Ah descendons Ensemble
Viens, Mallika, les lianes en fleurs Jettent déjà leur ombre Sur le ruisseau sacré, qui coule calme et sombre, Éveillé par le chant des oiseaux tapageurs ! Oh ! maîtresse, C’est l’heure où je te vois sourire, L’heure bénie où je puis lire Dans le cœur toujours fermé de Lakmé ! Sous le dôme épais où le blanc jasmin À la rose s’assemble, Sur la rive en fleurs, riant au matin, Viens, descendons ensemble. Doucement glissons; De son flot charmant Suivons le courant fuyant; Dans l’onde frémissante, D’une main nonchalante, Viens, gagnons le bord Où la source dort. Et l’oiseau, l’oiseau, l’oiseau chante. Sous le dôme épais, Sous le blanc jasmin, Ah ! descendons ensemble ! Mais, je ne sais quelle crainte subite, S’empare de moi, Quand mon père va seul à leur ville maudite; Je tremble, je tremble d’effroi ! Pour que le dieu Ganeça le protège, Jusqu’à l’étang où s’ébattent joyeux Les cygnes aux ailes de neige, Allons cueillir les lotus bleus. Oui, près des cygnes Aux ailes de neige, Allons cueillir les lotus bleus. Sous le dôme épais où le blanc jasmin À la rose s’assemble, Sur la rive en fleurs, riant au matin, Viens, descendons ensemble. Doucement glissons; De son flot charmant Suivons le courant fuyant; Dans l’onde frémissante, D’une main nonchalante, Viens, gagnons le bord Où la source dort. Et l’oiseau, l’oiseau, l’oiseau chante. Sous le dôme épais, Sous le blanc jasmin, Ah ! descendons ensemble !
Lyrics: Viens, Mallika, les lianes en fleurs\r Jettent déjà leur ombre\r Sur le ruisseau sacré qui coule, calme et sombre,\r Eveillé par le chant des oiseaux tapageurs!\r \r Sous le dôme épais où le blanc jasmin\r A la rose s’assemble\r Sur la rive en fleurs riant au matin\r \r Doucement glissons De son flot charmant\r Suivons le courant fuyant\r Dans l’onde frémissante\r D’une main nonchalante\r Viens, gagnons le bord,\r Où la source dort et\r L’oiseau, l’oiseau chante.\r \r Sous le dôme épais ou le blanc jasmin,\r Ah! descendons\r Ensemble!\r \r Sous le dôme épais où le blanc jasmin\r A la rose s’assemble\r Sur la rive en fleurs riant au matin\r Viens, descendons ensemble\r \r Doucement glissons de son flot charmant,\r Suivons le courant fuyant\r Dans l’onde frémissante\r D’une main nonchalante\r Viens, gagnons le bord\r Où la source dort et\r L’oiseau, l’oiseau chante.\r \r Sous le dôme épais ou le blanc jasmin,\r Ah! descendons\r Ensemble!
I’m not musically knowledgeable enough to describe this accurately, but it’s like their singing is pitch-perfect to begin with, and even the amplitudes (ranges?) of their vibratos complement each other. The restraint in their vibratos is wonderfully appropriate to a song which (I just looked this up) is supposed to have been sung by two Indian ladies stripping down to bathe in a quiet river, and versions where the singers try to outdo each other sound like they’ve cannonballed in and are having a rather vicious water fight.
Je ne me lasse pas de le dire : je trouve que cette version est merveilleuse ! Elle surpasse toutes celles que j’ai pu entendre ! Leurs deux chants sont tellement synchronisés, leurs timbres de voix s’harmonisent si bien, il n’y a aucune surcharge, aucun effet inutile, c’est fluide, hyper juste, c’est tout simplement magnifique !! Grand respect pour ces deux cantatrices.
There are two “perfect” duets in opera…for me, anyway…This one, of course, the “Flower Duet” of Delibes’ “Lakme”, and the other, the male duet from Bizet’s “The Pearlfishers,” “Au fond du temple saint.” When I listen to either of these I am overcome with emotion, with peace, with love, with pure joy…this music is from God, courtesy of the composers and the artists performing. Thank-you!
Absolutely breathtaking. The best rendition of one of my favorite songs. I first heard this as a child when I was 5 years old. I’ll never forget, it was my first day of kindergarten (at a Catholic school) and this was playing in the car on the way home and I really did think angels were singing. I did not know the name or type of music it was then, so I always called it the angel song. I would ask my grandmother who listened to opera on the radio on occasion to always play the angel song. She had no idea what I was talking about. I listened to opera on the radio for years and heard it only once again and the radio host to my disappointment did not give the name. And I never could find this song again. It wasn’t until I was in junior high when I heard it again coming from the chorus room where I then learned it’s name, The Flower Duet from the opera, Lakme by Delibes. I have heard many, many renditions over the years and thought I had a favorite until now. These two are amazing together and have moved into first place for me. Their harmony is absolutely exquisite.
One of my favorite arias. This is four minutes and thirty seven seconds of sublime and beautiful. These ladies are superb, as are the musicians in the orchestra. Everything about this is exquisite. It is the most powerful and moving rendition that I’ve ever heard. As I listened to them sing, my eyes welled with tears.
Sous le dôme épais Première partie Lakmé Viens, Mallika, les lianes en fleurs Jettent déjà leur ombre Sur le ruisseau sacré, qui coule calme et sombre, Éveillé par le chant des oiseaux tapageurs ! Mallika Oh ! maîtresse, C’est l’heure où je te vois sourire, L’heure bénie où je puis lire Dans le cœur toujours fermé de Lakmé ! Seconde partie (ensemble) Lakmé Dôme épais le jasmin À la rose s’assemble, Rive en fleurs, frais matin, Nous appellent ensemble. Ah ! glissons en suivant Le courant fuyant; Dans l’onde frémissante, D’une main nonchalante, Gagnons le bord, Où l’oiseau chante, l’oiseau, l’oiseau chante. Dôme épais, blanc jasmin, Nous appellent ensemble ! Mallika Sous le dôme épais où le blanc jasmin À la rose s’assemble, Sur la rive en fleurs, riant au matin, Viens, descendons ensemble. Doucement glissons; De son flot charmant Suivons le courant fuyant; Dans l’onde frémissante, D’une main nonchalante, Viens, gagnons le bord Où la source dort. Et l’oiseau, l’oiseau chante. Sous le dôme épais, Sous le blanc jasmin, Ah ! descendons ensemble ! Troisième partie Lakmé Mais, je ne sais quelle crainte subite, S’empare de moi, Quand mon père va seul à leur ville maudite; Je tremble, je tremble d’effroi ! Mallika Pour que le dieu Ganeça le protège, Jusqu’à l’étang où s’ébattent joyeux Les cygnes aux ailes de neige, Allons cueillir les lotus bleus. Lakmé Oui, près des cygnes Aux ailes de neige, Allons cueillir les lotus bleus. Quatrième partie et fin (ensemble) Lakmé Dôme épais le jasmin À la rose s’assemble, Rive en fleurs, frais matin, Nous appellent ensemble.
This is just absolutely amazing. I have listened to this repeatedly. This must be one the most beautiful pieces of music, and performance ever done by human beings on this planet. Brings tears to my eyes every time. I wish I could have lived in those times, when these masterpieces were produced. The music and the singers performance is just heavenly, beyond professional, true art. Thank you for these few minute of absolute joy.