Should Frankenstein Have Created The Bride?

New research has found that Frankenstein’s monster could have wiped out humanity. The Bride of Frankenstein, also known as the Monster’s mate, is an iconic monster affiliated with the Frankenstein franchise. In Mary Shelley’s 1818 novel Frankenstein or The Modern Prometheus, Victor Frankenstein creates her to satisfy the monster’s wish for companionship. The Bride is a fundamentally visual, cinematic creation that came to life wordless at the movies.

The Bride of Frankenstein is an iconic monster affiliated with the Frankenstein franchise. In the original novel by Mary Shelley, the Bride appears but is completely inanimate. The monster black-mails Dr. Victor Frankenstein into creating a mate, but in a fit of paranoia, the creature decides not to create a companion for the creature because the two creatures could reproduce.

The true horror of Frankenstein was his BRIDE, which could have led to mankind going extinct if the fictional scientist had also created a female monster. The promise that is made consists in him and his bride going into exile to the wildlands of South America.

The Bride of Frankenstein is drawn from the margins of Mary Shelley’s 1818 novel and later in the film Frankenstein. The creature has a romantic relationship with some bride, which could have led to the creation of a new monster.

What does Frankenstein’s Bride symbolize?

Frankenstein and Dr. Pretorius represent common Freudian anxieties about the female body and sexuality. Her sexless production by the two men evokes feelings of awe and disgust.

Reviewed by Allison Leonard. “Alone – bad.” Friend – good! —Boris Karloff, as Frankenstein’s monster James Whale’s 1935 classic, Bride of Frankenstein, is based on a subplot from Mary Shelley’s original Gothic novel. In it, Dr. Frankenstein reluctantly returns to the laboratory and builds a female companion to tame his monster. The film’s title suggests the Bride is important. Further analysis confirms this. Just as Eve was important to the future of humanity in Christian mythology, the Bride is important to humanity in the film. Eve and Adam were meant to have children together, while the Bride and Frankenstein’s monster were meant to stay alive. If the monster had a mate, he would stop causing chaos and destruction, and society would be peaceful and harmonious. The Bride’s appearance in the last five minutes of the film seems anti-climactic. Neil Gaiman said it best: “She is revealed; she hisses, screeches, is terrified, is wonderful, and once we have seen her, there is nothing left for us.””1 Although the Bride’s overall significance in this film is by no means diminished, the brevity of her on-screen existence begs a few critical questions for scholars and spectators alike – what is the Bride of Frankenstein known for, and how does her meaning contribute to the film? Since her purpose for being has already been established, it is essential to investigate additional dimensions of her identity, aside from the obvious why. Her principle relevance in a film that’s abundant with Christian symbolism, queer interpretations, and feminist themes consequently earns her the right to be perceived as a more fleshed-out character by all who would otherwise question her presence.

Why did Victor decide not to make a bride for the monster?

Victor Frankenstein creates a monster and promises him a bride. The scientist changes his mind. He fears they’ll procreate. Their children would scare and hurt future generations. Killing the bride makes the monster lonely forever. Victor Frankenstein is the main character in Mary Shelley’s novel. The main character is a scientist who wants to conquer death by creating life. Victor succeeds in his experiments and creates a monster. The monster tries to fit in, but people are scared of him. He’s not evil. But people treat him badly. The monster kills Frankenstein’s friend in a fit of rage. He asks his creator to make him a bride so he won’t be lonely. Victor makes the female monster. He is scared of his creation and feels guilty. In Chapter 20, Frankenstein realizes that another creature will make things worse. The scientist is horrified by the idea of creating a generation of monsters and destroying the female. Frankenstein’s creation vows revenge on Victor. Victor takes away his only friend. The monster kills Victor’s bride on their wedding night.

Why was the Bride of Frankenstein made?

It is set after the earlier film and is based on a subplot from Mary Shelley’s 1818 novel Frankenstein. Henry Frankenstein tries to give up creating life, but his old mentor Dr. Pretorius and the Monster make him build a bride for the Monster. The sequel was filmed shortly after the first film, but script problems delayed it. Filming began in January 1935 with the original crew. Bride of Frankenstein was well-received by critics and audiences, but faced censorship issues. Since it was released, the film has become more popular. Many fans and critics think it’s better than the original. It’s considered one of the best sequels ever made. In 1998, the Library of Congress chose it for the National Film Registry because it is important in American culture, history, or art.

Plotted. In a stormy night, Percy Bysshe Shelley and Lord Byron praise Mary Shelley for her story of Frankenstein and his Monster. She says she wrote the novel to teach a moral lesson: the consequences of a mortal man who tries to play God. Mary says she has more to say. In the 1931 movie Frankenstein, villagers cheer the Monster’s apparent death.

Why does Frankenstein agree to create a bride for the monster?

The monster is lonely and wants love and attention. Victor Frankenstein makes a second monster for his first monster to be his friend.

Should Frankenstein have created the female monster?

Frankenstein is kind at first and makes the female creature, but he stops because it’s too dangerous. He makes the decision based on logic, not emotion. He can’t risk the negative results of creating another creature.

Does Victor regret creating the monster?

He regrets creating the monster and wants to tell Walton that there’s more to life than knowledge and power.

Did the bride of Frankenstein love the monster?

Young Frankenstein. In this 1974 film, Dr. Frederick Frankenstein is engaged to Elizabeth but falls in love with Inga, his lab assistant. Elizabeth also falls in love with the Monster. In the end, Elizabeth is married to the Monster. He’s a stock market genius thanks to Frederick donating a portion of his brain. Elizabeth acts like the Bride from 1935 to please her husband. Madeline Kahn imitates Elsa Lanchester’s hissing and spitting. Frankenweenie. In Tim Burton’s short film, Sparky, a monster dog, meets a female poodle with a headdress like Elsa Lanchesters Bride after surviving the collapse of a burning windmill.

The Bride. In this film, Baron Charles Frankenstein creates a bride for his monster.

Why didn’t Frankenstein make a wife?

History. A novel. In Frankenstein, Victor Frankenstein is tempted by his monster’s proposal to create a female creature so that the monster can have a wife. “Shall each man find a wife, and each beast have its mate, and I be alone?” The monster promises that if Victor grants his request, he and his mate will vanish into the wilderness of South America. Fearing for his family, Victor agrees and goes to the Orkney Islands to make the monster’s mate. He is afraid that his work might create a monster race. Frankenstein destroys his first creation. The monster sees this and won’t let Victor put it back together. It vows to be with Victor on his wedding night. The monster kills Elizabeth, Frankenstein’s new wife.

Filmed it. In Bride of Frankenstein, Henry Frankenstein’s mentor Doctor Septimus Pretorius proposes they create a mate for his monster. Henry will create the body, and Pretorius will supply an artificially grown brain. Henry is initially against the idea, but Pretorius threatens to tell the authorities that he created the monster. Henry helps his mentor when the monster kidnaps Elizabeth. Henry goes back to his lab, and he gets excited about his work. After Pretorius and his men find Elizabeth safe, Henry puts together Elizabeth’s body from parts they’ve gathered. Pretorius has grown an artificial brain. Karl got a heart from a woman while saying he did Pretorius’s bidding. A storm rages as they prepare to bring the Bride to life. Her body is lifted through the roof. Lightning strikes a kite, sending electricity through the Bride. They take off her bandages and help her stand. Pretorius calls her The Bride of Frankenstein! The Monster reaches out to his mate and says, “Friend.” The Bride screams in horror at the monster. The monster tries to touch her, and the Bride screams. The monster says, “I hate you.” Like the others. Elizabeth runs to Henry’s side. The monster finds a lever to destroy the castle. The monster tells Henry and Elizabeth to leave, but orders Pretorius and the Bride to stay. While Henry and Elizabeth run away, the monster cries as the Bride hisses. He then pulls the lever, destroying the laboratory and tower.

What if Frankenstein made a female monster?

Scientists at Dartmouth University studied Mary Shelley’s 1818 Gothic novel and concluded that it could have had a much more horrific ending. If the scientist had married his creation, he would have destroyed humanity, the scientists say. If Victor Frankenstein had also created a bride, mankind would have been wiped out by the pair within 4,000 years. Boris Karloff and Elsa Lanchester starred in the 1935 Universal picture, The Bride of Frankenstein.

Which is better Frankenstein and Bride of Frankenstein?

Both films are classics, but I think Bride of Frankenstein is better than the original. The music score makes everything seem more alive and fast-moving. Secondly, the black humor and self-parody make the film fun, unlike the more basic FRANKENSTEIN. This is partly due to a larger budget, but combined with great production values, sets, photography, and special effects that still look amazing. I was amazed by the scene where Dr. Pretorius shows off his tiny people in glass jars. Even today’s special effects experts couldn’t figure it out. Nothing comes close until computer-generated effects took over. Ernest Thesinger plays Dr. Pretorius well and almost steals the show with his menacing portrayal. The rest of the cast is just as good, with outstanding roles for Boris Karloff as the Monster, Elsa Lanchester as The Bride and Mary Shelley, and Una OConnor as Minnie, Frankenstein’s servant. This is one of the few films that can be enjoyed by almost anyone, including children and horror fans. This film shows that horror can be funny and smart. This is one of the best films ever made. 64 people found this helpful. Was this review helpful? Sign in to vote. Permalink.

Is The Bride of Frankenstein better than the original?

Bride is a sequel to Frankenstein. Sequels aren’t always as good as the originals. But there are exceptions. Tarzan and His Mate, After the Thin Man, From Russia With Love, The Godfather Part II, and The Empire Strikes Back are examples. Bride is seen as a success, but not everyone agrees. Whale and Karloff preferred the original, which was a turning point in their careers. Karloff said the Monster should not speak, that sympathy was built up for the Monster, and that the musical scoring was intrusive. Some modern writers say Frankenstein is boring because it doesn’t have any music. But in 1931, background music was considered old-fashioned. Some horror fans don’t like horror with humor. Universal announced The Return of Frankenstein for the 1932-33 season after the success of Frankenstein. Whale refused to be involved. In February 1932, the studio chief, Carl Laemmle, Jr., rejected a Frankenstein script by Robert Florey. In 1933, director Kurt Neumann, a Laemmle protégé from Germany, was put in charge of developing the project as a vehicle for Karloff and Bela Lugosi. Tom Reed wrote another treatment, and Philip MacDonald, Edmund Pearson, and Lawrence G. Blochman were involved. Playwright John L. Balderston wrote a prologue about Mary and Percy Shelley and Lord Byron. Balderston’s treatment, which involved a circus freak’s head and body parts from train wrecks, was too gruesome for consideration. Meanwhile, many writers tried to make a good movie of H. G. Wells’ The Invisible Man. Whale got Laemmle to offer the job to a friend of his in London, R.C. Sherriff, who had written the successful play Journeys End. As planned, Whale asked to direct Sherriff’s adaptation instead of Frankenstein. He told Junior Laemmle to take the script home and read it. He knew this would annoy Laemmle, who never worked after dinner. In his autobiography, Sherriff writes that Whale told him, “If they score a hit, they always want to do it again.” They have a good reason. Frankenstein was a hit at the box office, so a sequel will be too. They’ve written a script for a sequel, and it’s terrible. I worked on the original picture and I’m never doing it again.

Does Victor agree to make a female monster?

Summary: Chapter 17 He promises to take his new mate to South America to hide from humans. With the help of another monster, he will no longer have to kill. Victor agrees to create a female monster.