Carmella breaks down crying during the Janice and Richies engagement party, expressing her grief over her daughter’s marriage. She believes her daughter is entering the same misery as she experienced and mourns her daughter’s choice to marry. Carmela’s materialistic nature may be a result of her longing for stability and coping with the constant uncertainty of their relationship.
Carmella has dreams and aspirations outside of being a mob wife to a picturesque family, but she knows that Tony will throw money at her to make her be quiet. The perfect time for an engagement party is between two to three months after the proposal and at most six months before the wedding. Planning an engagement party can serve three purposes: sharing the news of the union with future wedding guests, introducing families to each other, and celebrating the impending nuptials.
Engagement party etiquette includes not splurging unnecessarily at the party, inviting-only guests who will be at the wedding, keeping an open mind, welcoming guests personally, not attaching gift registry to engagement party invites, and keeping the party short and interesting.
At the Janice and Richies engagement party, Carmella breaks down crying for several reasons, including knowing that Tony is still screwing around with Irina and Vic never returned. She also realizes that she no longer wants to be a man anymore and has a brief relationship with her son, A.J.s.
In conclusion, Carmella’s emotional turmoil during the Janice and Richies engagement party highlights the challenges she faces in her relationship with Tony and the materialistic nature of her life.
📹 Carmela tells Tony she is filing for divorce; Tony is not happy
“You’re entitled to shit.” Carmela and Tony go out to dinner, where Carmela “ambushes” Tony by telling him that she is filing for …
Why did Furio leave The Sopranos?
The mutual attraction between Furio and Carmela was one of the main storylines of The Sopranos season 4. Furio knows he cannot pursue his romantic obsession with Tonys wife, and Carmela comically brings her son AJ along as a buffer when she meets with Furio, to avoid giving into temptation. After a visit back home to bury his father, it becomes apparent to Furio that his love for Carmela can only end in one of two ways, with he or Tony dead. With this knowledge, Furio eventually makes the decision to return to Naples, ending The Sopranos show tradition and streak of killing off departing characters.
Furios last appearance in The Sopranos is in season 4, episode 12, Eloise, where he briefly considers killing show lead Tony Soprano. Perhaps acting on the advice of his uncle, who told Furio that the only way for him to be with Carmela would be to murder Tony, he grabs Tony by the lapels and ponders throwing him into rotating helicopter blades. He swiftly relents, and warns Tony about standing too close, before boarding the helicopter and making the decision to return to Naples. Its unclear whether Tony knows if Furio intended to kill him, but Carmelas later revelations about her feelings for Furio in the season 4 finale likely made him reassess this drunken moment.
Its Carmelas admission of her attraction to Furio that leads to her temporary split from Tony, but it also makes it impossible for Furio to return. Tony swears to have Furio killed if he ever re-surfaces and says that he has men out looking for him. Despite this, Furios death is never reported back to Tony so, unlike many of his fellows in the Sopranos cast of characters, hes still alive by the end of the series. Its just as well for Tony and Carmelas marriage, as Furios assassination would have been the final nail in the coffin for the couple.
Why did sopranos get rid of Furio?
The only departing main character who wasnt killed off was Furio in The Sopranos season 4. Furio was first introduced when Tony and his crew visit Naples in The Sopranos season 2, episode 4, Commendatori. Impressed by Furios loyalty to Don Vittorio, Tony brought him to America under the pretense of working in Artie Buccos restaurant. Unlike most of Tonys crew, Furio was gentlemanly, sensitive, and respectful of women. This led to complications when he became Tonys driver and spent more time with his boss wife Carmela (Edie Falco.) An attraction was formed, which ultimately led to Furios departure from the show, but not in the fatal manner of other Sopranos characters.
The mutual attraction between Furio and Carmela was one of the main storylines of The Sopranos season 4. Furio knows he cannot pursue his romantic obsession with Tonys wife, and Carmela comically brings her son AJ along as a buffer when she meets with Furio, to avoid giving into temptation. After a visit back home to bury his father, it becomes apparent to Furio that his love for Carmela can only end in one of two ways, with he or Tony dead. With this knowledge, Furio eventually makes the decision to return to Naples, ending The Sopranos show tradition and streak of killing off departing characters.
Furios last appearance in The Sopranos is in season 4, episode 12, Eloise, where he briefly considers killing show lead Tony Soprano. Perhaps acting on the advice of his uncle, who told Furio that the only way for him to be with Carmela would be to murder Tony, he grabs Tony by the lapels and ponders throwing him into rotating helicopter blades. He swiftly relents, and warns Tony about standing too close, before boarding the helicopter and making the decision to return to Naples. Its unclear whether Tony knows if Furio intended to kill him, but Carmelas later revelations about her feelings for Furio in the season 4 finale likely made him reassess this drunken moment.
What painting makes Carmela cry?
The most haunting scene in The Sopranos is when Carmela visits a museum with her daughter. They pass a painting of Jusepe de Ribera’s The Holy Family With Saints Anne and Catherine of Alexandria, and Carmela cries. “Look at her hand against her cheek,” she says. “She’s at peace.” “Beautiful, innocent, gorgeous baby.” Carmela wants to be innocent again, to be moral, to stop making compromises and afford the clothes and lives she wants for her kids. She wants out. Carmela stays. She goes back to her old ways. At one point, when I felt like I had no control over my gender, I might have found this scene sad. Now I find it sick. She could stop wanting something impossible, but she keeps wanting it. I don’t have to do that. I can leave. I can move on from point B to something better. I may not be happier, but I can be more fulfilled and less complicit in moral compromises.
Did Carmela have a miscarriage?
Carmella had two miscarriages, one of which was an ectopic pregnancy. After every storm, there is a rainbow. Our little miracle is due this November. We are thrilled, she wrote on Instagram.
Who did Carmela sleep with?
Synopsisedit. Tony is finding it increasingly difficult to take care of A.J., who is sent back to Carmela. She lets him move back in on the condition that he improve his grades and behavior. Carmela goes to see Robert Wegler at the school and agrees to have dinner with him the following evening. After dinner, they go to his home and have sex. Carmela meets Father Phil Intintola for lunch and tells him of her new relationship; he reminds her that she made a commitment to her husband before God. However, she continues the affair, even after making formal confession to Father Phil. *Carmela abruptly leaves during another date with Wegler, saying she is upset about A.J.s academic performance and troubled by the laws of the Church. The next day, Wegler pressures A.J.s English teacher to raise his grade for a poorly written term paper. After several rounds of sex after which Carmela talks each time about strategies to elevate A.J.s academic standing, Wegler concludes that she is just using him to get her son better grades and confronts her, telling her that she uses people. Carmela, deeply hurt, vehemently rejects his assessment, but Wegler calmly stands his ground and Carmela storms out. The next day, when her father suggests that she look for other men, Carmela replies that, as Tonys wife, her motives will always be distrusted. *Tony B tries to adjust to civilian life. His Korean-American employer, who was pressured by Tony into giving Tony B a job, is hostile due to Tony Bs mob connections. The employer changes his mind when he realizes how hardworking Tony B is, both on the job and in his efforts to pass the state massage board exam. He offers to partner up with Tony B, offering an empty storefront in West Caldwell. Tony B passes the exam and begins work on the storefront, preparing it for business. However, he comes across a bag containing $12,000, apparently thrown away by fleeing drug dealers, and goes on a self-destructive tear, wasting most of the money on gambling, alcohol, and expensive clothes. Tony Bs employer visits the store and encourages him to keep on working; Tony B snaps and beats him up. With Tony at Nuovo Vesuvio, Tony B hints that he screwed up and asks if Tony still needs someone to cover the airbag scheme.
Was Carmela pregnant in Sopranos?
Episode Recap. Carmela Soprano meets Meadow in an art museum when Carmela begins spotting blood. She asks her for a tampon and excuses herself to go to the Ladies Room, then returns to find Meadow looking at paintings. Carmela is brought to tears when she sees Jusepe de Riberas The Mystical Marriage of Saint Catherine of Alexandria. Later, while watching a commercial on television, Carmela begins to sob but quickly regains her composure when she realizes it is only a commercial for Pedigree dog food. She later takes confession with a priest who is pursuing a doctorate degree in psychology. Carmela tells the priest that she is worried that she has ovarian cancer and of her encounter with Dr. Krakower. The priest asks Carmela if she loves Tony, to which she replies, I do. He then advises her not to leave him but to help him grow, to be more loving to him, and to live on the good and forgo the bad. Over lunch with the other mob wives, Carmela tells them she has a clean bill of health and that she was worried she was pregnant, but it turned out to be a thyroid problem. Rosalie Aprile tells them that they should all admire Hillary Clinton, not for her personality but for the way she handled herself when Bill Clinton admitted his affair, which included her ultimately setting up her own thing. Carmela believes that this is true and that she should be a role model to all of us. *Tony continues to see Gloria Trillo, even as her erratic behavior continues. She apologizes to him in the parking lot of Jennifer Melfis office, but Tony reminds her that if she were a guy I wouldnt have to tell you where you would be right now. Gloria apologizes and wants the relationship to work but Tony needs time to think. When he tells Dr. Melfi about his passionate love-and-hate relationship with Gloria, she dubs it Amour Fou – crazy love. Melfi then tells Tony that Gloria did love him. Tony decides to give the relationship another chance but when Gloria blows up at Tony when her tires get slashed, and he finds out that she drove Carmela home from Globe Motors after Carmela dropped off her Mercedes-Benz station wagon for service (and later called Carmela), he calls the relationship off permanently. During a heated argument with Gloria, he slaps her and she mockingly says, Poor you, and that she should …sit back like a mute. These are phrases that Livia used to say to Tony, and he suddenly realizes that she is a lot like his mother (Ive known you my whole fucking life). Gloria also derides Carmela as a goombah housewife who puts up with anything in exchange for a big gaudy ring. When he goes for the door, Gloria threatens to tell Carmela about the affair if he leaves. Enraged, he attacks her, upending her dining room table and throwing her across the room. The fight continues and he begins to choke her. She begs him to kill her but he leaves instead. *Jackie Aprile, Jr. and his friend Dino Zerilli want to get ahead in life and become more than mere associates. After hearing Ralph Cifarettos story of how Tony and Jackie Aprile, Sr. got on the fast track to getting made after robbing Feech La Mannas Saturday night card game, the two later spontaneously decide do the same during Eugene Pontecorvos game, asking Carlo Renzi to join them, because he has a shotgun. Arriving at the spot, Jackie hesitates and tries to back out, even though he was the one who initiated the idea. But Dino convinces him to go through with it before the crank wears off. The three don ski masks and enter the Aprile crew hangout where the poker game is taking place, but are alarmed when the players include some familiar faces: Christopher Moltisanti, Furio Giunta, and Ally Boy Barese. Carlo and Dino demand that the players give them their money and to be quiet while Jackie stays silent for fear his voice will be recognized. The dealer, Sunshine, keeps heckling the would-be robbers and is shot and killed by a panicking Jackie. As the mobsters draw guns, a firefight breaks out: Furio is shot in the thigh by Jackie, and Christopher shoots Carlo in the forehead, killing him instantly. Matush, who is Jackies getaway driver, abandons the robbers as soon as he hears the gunshots, and when Jackie and Dino flee into the street, Jackie resorts to carjacking a passing vehicle, deserting Dino, who is caught and executed by Ally Boy and Christopher. Furio is rushed to the office of Dr. Fried, a urologist, for a clandestine emergency operation. In the waiting room, Christopher warns Tony that he knows Jackie Jr. was the escaped robber and that he has to be killed. However, Tony seems troubled, due to his long history with Jackie Jr.s father.
Was Furio in love with Carmela?
Furio goes to Italy to say goodbye to his dad. He talks to his uncle about his feelings for Carmela. Maurizio says it’s dangerous to get involved with Tony’s wife. The only way Furio could be with Carmela is if he killed Tony. This makes things more complicated for Furio, as he has to choose between two people. He’s loyal to Tony Soprano and has Mafia values, but he loves Carmela and knows he can’t be with her while Tony is alive. Later in the season, Furio sees Tony with other women at a party and thinks Tony doesn’t deserve Carmela. Before they board a helicopter, they both stop to relieve themselves near the helicopter. Tony is near one of the helicopter’s rotating blades. Furio grabs Tony by the collar and pushes him towards the helicopter blades, but stops and lets him go. He says Tony was too close and was pulling him away, but he really wanted to push Tony into the helicopter blades and kill him. Furio’s loyalty and old-school Mafia values probably saved Tony’s life. Furio realized he couldn’t stay with Tony Soprano’s crew and left for Naples. He left a message at the Bada-Bing at 4:30 a.m. saying he was leaving. After Tony and Carmela have a fight after his ex-girlfriend calls their house, Carmela tells Tony how she really feels about Furio. Tony is furious. He tells the Zucca Family to kill Furio if they see him. Tony’s threat is probably empty. Furio went back to working for the Zucca Family. They ignored Tony’s orders to kill him. Tony’s cousin Annalisa Zucca is important to them. The Naples mafia don’t like the New Jersey mob.
Does Carmela find out Adriana died?
In Paris, Carmela dreams of seeing Adriana in a park, but a policeman tells her Adriana is dead. Carmela wants to find Adriana, especially after Liz tries to kill herself. However, Tony and Silvio help Carmela finish her house, which keeps her from investigating further. The Sopranos – Adriana La Cerva. HBO; The Telltale Moozadell via imdb.com; External links HBO Profile: Adriana La Cerva.
Why does Carmela cry at the museum?
Synopsis: Carmela and Meadow are at the Brooklyn Museum when Carmela needs to use the restroom. She has symptoms that worry her. She thinks she might have ovarian cancer or be pregnant. When she comes back, she cries when she sees a painting of The Holy Family with Saints Anne and Catherine of Alexandria. She cries when she sees a sentimental TV ad for dog food. She confesses to a priest, who tells her to live on her husband’s good income and not the rest. The OB-GYN says she has a thyroid problem. Tony keeps seeing Gloria, even though she’s acting weird. Dr. Melfi calls it “crazy love.” Gloria meets Carmela at the Mercedes dealership. She drives her home and gets information from her. Tony breaks up with her when he finds out. Gloria calls him, crying. He goes to her house and says he’s breaking up with her. She says she’ll tell Carmela and Meadow about their affair. When Tony gets angry, she asks him to kill her. He stops and threatens her as he leaves. Later, he sends Patsy to repeat the warning. He goes for a test drive with her, pulls her over on a deserted road, holds her at gunpoint, and tells her that if she contacts Tony or his family again, he will kill her. Jackie Jr. and his friends Carlo and Dino rob Eugenes poker game after Ralphie tells them how Tony and Jackie’s father gained recognition for a similar heist. Dealer Sunshine is shot by Jackie. In the fight, Furio is shot and Carlo is killed. Jackie and Dino find that their driver, Matush, has run away and left them with Christopher and Albert. Jackie flees in a carjacked vehicle, leaving Dino dead.
What is the saddest sopranos episode?
In Season 5, Episode 12, Long Term Parking, Christopher betrays her to the FBI. She is later killed by Tony’s right-hand man, Silvio. It’s one of the hardest episodes of the show. The Sopranos was a revolutionary show that changed television forever. It ran from 1999 to 2007 for six seasons. The Sopranos is one of the best shows of all time. The show has a lot going for it. Its cinematic presentation, complex characters, expert use of music, and engaging storylines make it essential TV. The Sopranos features few good characters, but they’re still interesting. The show is emotional because it makes its characters seem real, even when they do bad things. The Sopranos has sad episodes that may make some viewers cry. The following episodes are among the saddest.
The Sopranos. New Jersey mob boss Tony Soprano deals with personal and professional issues that affect his mental state. He seeks professional psychiatric counseling.
What is the saddest death in The Sopranos?
Some people were sad when Tony killed Christopher in The Sopranos. In season 6, Tony is addicted to drugs and out of control. Tony and Christopher have a loving father-son relationship. But after Adrian’s death, everything changed. Tony kills Christopher with his hands. It’s brutal, but Tony sees it as mercy.
Tony’s fate is sealed when he kills Christopher. Since season 1, Tony’s life will end in death. After this, Tony has few allies and even fewer people who understand him. Tony’s fate is sealed when he kills Christopher. Since season 1, Tony’s life will end in death. The audience likes Tony, even though he’s cruel. These feelings disappear after he murders Christopher for his own gain. Christopher was one of the best characters in the series. He was missed when he left.
Was Carmela jealous of Meadow?
Carmela is proud of her daughter’s achievements but also jealous and resentful. She worries about AJ’s problems but also coddles him. She thinks her husband is a Robin Hood-like character, not a brutal murderer. Carmela’s resentment of her husband’s infidelity has led her to consider breaking her marriage vows. This has happened with her priest, Father Phil Intintola, and painter-decorator Vic Musto. In season four, Carmela falls in love with Furio Giunta. Tony got Furio from the Camorra clan on a trip to Naples, where the Soprano family is from. Carmela wanted to go on the trip. Carmela and Tony have a tense but distant relationship because of Tony’s affairs. Each tells a friend they’re falling for each other. Furio, unable to bear the conflict between his feelings and his honor, sells his house and moves back to Italy. Carmela was devastated. She told Tony she loved him in an argument. Tony said, “If certain men see him, he’s dead.”
📹 Carmela Is Warned (Most brutal scene in entire series)
Dr Melfi refers Carmela to her Jewish colleague who warns her and refuses to take her money. “Second Opinion” S3E7. Originally …
TO ALL VIEWERS: THANK YOU FOR 100K VIEWS! I honestly NEVER thought it would even GET CLOSE to the level of Borko and SopranosFan57, so thank you all. I know I have been remiss in posting clips from the show as of late (new job), but I will do my best to toss some more new ones up soon (I did just put a Chris clip up fairly recently). The main thing is I don’t like re-posting clips that have already been posted once, twice, a hundred times, etc. because, well, they’re already out there and you can go watch them, so why would I bother reposting those clips? So, I try to find scenes that I feel are either important, powerful, moving, or even funny, that have not already been put up. Thank you all for perusal the greatest, and my favorite, show of all time with me. I appreciate all of you who have watched this and any other articles I’ve uploaded (be they good or crap). Much love to the world.
The hypocrisy in this scene is so perfect because it swings both ways you could argue neither of them have any good qualities at this point. Tony is a monster his illegal activities, burglary’s, murders, exploitation of the working man and running girls paid for everything they have. Carmella knew all about it and acts holier than thou and says she’s entitled to it like her and her daugher more important than the strippers that paid for everything they have.
This will always be one of my top scenes from the show. Throughout the entire series Carmela lives the luxurious housewife life getting expensive gifts, anything she wants, want to cheat on tony with multiple men but never getting the chance to, spending whatever money she wants (like forcing tony to make a $50k dono to meadow’s college) and she walks around like she is a holy saint who only does what is right. And on top of that the fact she draws tony to the restaurant to tell him she is already lawyered up, and is coming for AJ and half of the assets tells you her motives its all about money for her. And thats the whole reason she stays with Tony. Money. So the fact that Tony calls her out on her hypo-critic bs right to her face is so perfect
Tony would be doing what he does regardless of whether or not he had a family to support. How much money can a single man in his position spend? He lives the high life as well with his tailor made suits, gourmet dining, fancy watches, gambling and sleeping around, etc. Carmela pulls her weight running the house, raising the children, cooking like crazy and organizing family gatherings, etc. Of course she is going to look and live the part. It all requires a massive amount of upkeep. Tony’s infidelity and lack of transparency is a constant torment. They are all pampered, spoiled and seeped in denial and rationalizations. Tony is able to do what he does because Carmela provides the foundation of family and home life, giving him stability and an air of normalcy and respectability. He’s not the only one who puts in the effort, but because he brings in the cash, he gets to throw all his self righteous indignation in her face. Now he expects her to clip coupons? He just doesn’t want to lose face. He can’t bear the thought of her with another man despite his inability to keep it in his pants. Tony is every bit the hypocrite that Carmela is. He resorts to playing the bully because that’s what he does best.
I love how Artie told Tony hope he had brought him his appetite after Carmela said that to him about getting a divorce and on top of that after Artie said that Carmela low-key tried not to laugh. Sheesh, this show is too much with the weight jokes. Tony has been under alot of stress so please cut him some slack
As bad as Tony was, Carmela was greedy vile twat in her own right lets not forget at the end of the season Carmela literally gives tony the offer of asking for 600,000$ for some no property in order to keep there marriage in tact. Not dignifying Tony’s Cheating or anything else, but Carmela could be just as low at times. If not worse. Thats pure Evil.
If I was Tony I would have outright threatened Carmela. I would have told her straight up: “Listen to me Carmela, because I am only going to say this once. There is such a thing as a widowed boss of the family. But never a divorced one.” And if she continues to press the issue I would have threatened to have Furio whacked in Italy.
I remember perusal this scene when I was going through my divorce and thinking faak I wish I was Tony Soprano, the best revenge to have every single attorney in the state tell my wife your husband is who? I just remembered I have such a heavy case load I can refer you to someone in another country perhaps lol
I think they are both right here. Tony should not be cheating on her I don’t care if he is in the mafia and everybody else is doing it😤. Carmela on the other hand did grow up with this crappy expectation and should not be this outraged. She chose this life.🙄 However I can’t help feeling sorry for her🥺 and I want her to leave him and GO FIND FURIO😍! He is the only man that will make her happy. Now that the kids are practically grown she should just stay “married” to Tony and be with FURIO. I’m sure FURIO wouldn’t mind the legality of it since tony has made it impossible for a lawyer to help her. I would like to think that after the last episode she does go find him. Wishful thinking
Greatest show of all time. Cause while I don’t agree with Carm. Part of me still feels for her in some sort of way. Now compare that with Skylar from Breaking Bad who is just literally flip flopping back and forth like the worst bipolar person ever. Understand the circumstances are different since Walt was always a goody two shoes. But man it felt like she would just change her additude on a dime cause the writers needed her to progress the story
How stupid is this character. She knows who he is as he points out. The fact is, mafia wives are not allowed to get a divorce. Her telling her lawyer she wants to go after Tony’s illegal money in court is the dumbest move any character has ever made is any show. That’s the same as ratting him out. She’d be dead in two seconds. And she should know that. Besides, every line Edie falco says sounds line whining no matter the context. And someone should teach her how to not talk out of her nose. She’s almost as annoying as dr Melfi.
Edie Falco gives a transcendent performance here. The therapist doesn’t use emotion to pry at her, just cold facts. His subdued yet direct tone makes Carmella realize that in the absence of any emotional arguments about ‘duty’ and ‘vows’ made by her priest, all she can hear is the truth… Tony is a monster.
My favorite thing about this scene is that it potentially contradicts all of Tony’s therapy. This therapist says the “blaming your mother” treatment Tony gets is bullshit. This show isn’t afraid to point a finger at itself and say “The hours you’ve seen of the protagonist of this series getting therapy? Possibly bullshit”. The self awareness of The Sopranos is probably what makes it so close to perfect
The only time she was ever called out. This whole “I’m a powerless victim, poor me” trip was not going to fly with him. She wanted someone she could talk to and she got it. I always loved Carmella, but she was in perpetual denial. She loved being affluent, but also wanted a more normal life and he pointed out her hypocrisy with no reservation. She tried to manipulate him and steer the conversation away from her, but he wasn’t falling for it. He wasn’t fooled by her tears, the cultural comments or the “everyone has problems” rationalization. This four minute scene was one of the most intense and significant moments of the show in such a low-key way. Edie Falco nailed this role and this scene, she had full understanding of the writer’s intentions. What great acting by both. RIP Sully Boyar.
This scene defines Carmela’s whole character. Her only issue with Tony is his infidelity and lying, but in reality she’s the biggest liar in the whole show because she lies to herself. She tells herself Tony is a good person and father when he’s actually a monster because if he’s truely evil what does that make her? she’s willing to turn a blind eye to the murders and crime so she can enjoy luxury and privilege all the while acting religious, charitable, and judgmental. She lies frequently about how great her kids are doing when they are not, especially AJ. She acts like all the faults in parenting falls solely on Tony without taking responsibility for playing a major part in creating a space of secrecy, hypocrisy, and lies. She sits on her strict traditional Italian catholic high horse looking down on everyone In judgment or pity completely ignoring the fact her whole lifestyle is soaked in blood and sin. That being said I love Edie Falcos Portrayal of the characters one of my faves in the show.
This is easily the most powerful scene in any series I have ever seen. It doesn’t just speak to the character, it speaks to the audience. His description on modern psychology is absolutely spot on. We as people look for a way out for our sins and the harm we cause. It cannot always be the past that guides your decisions in the present. Brutal scene.
I love this scene because of how it shatters Carmela’s world. The Psychiatrist shows her that Catholics are not the only ones that value marriage. He shows the stereotype of Jews being greedy about money is just a stereotype. And, ironically, he probably gives Carmela the most Christian advise ever; to abandon all of her riches so that she can have a clean soul.
This dude only having one entire scene in the entire series, and manages to leave one of the most lasting impressions on me “Many patients want to be excused from their current predicament because of events that occurred in their childhood, thats what psychiatry has become in America.” Realest shit said honestly, even points out the flaws in practices that we’re used to seeing from somebody like Melfi, and even she doesn’t realize it until the very end.
Additional thought about this scene I wanted to share: Dr Krakower’s unequivocal, tough-minded stance Is, I believe, a reflection on his own life. As an elderly Jewish man with a Polish surname, it seems he’s about the right age and background to have encountered dark forces in his own life, either having lived through the war in Europe as a young man, or having lost family that remained in Europe during the war. The implication that he regards Carmella’s husband, Tony, as evil (though not stated) is clear enough, but more importantly, his tough moral stance suggests we’re beyond psychiatry here and no accommodation can be made. He tells Carmella to leave him because this is a matter of survival. The part of Dr. Krakower was cast and written specifically to imply a tacit analogy between the evils of Nazism and the evils of organized crime. This is what underscores the scene and makes it so powerful.
This scene is extremely powerful. It’s the only time Carmela was forced to sit down and as a woman accept the fact of who Tony actually is. Not the image he puts out but who he really is. A cold blooded man who has killed for nothing numerous times and has taken from someone everything she has. A true apex predator. It almost makes cheating on her look like a parking ticket
I love how this man and Melfi’s approach to therapy could actually yield the most effective results when put together. Melfi dealt with the past and unpacking feelings and why you feel certain ways and how to correct them (which Tony never did). This man is talking about surroundings and true morality. If you truly want to make a change, you need to change your surroundings or cut yourself off from those negative reinforcements. Without that main aspect, the Melfi section is just enabling.
This was one of the most impactful scenes in the series. It wasn’t just a wake up call for Carmella, it was a realization for us as an audience as well. We had gone all of these seasons perusal the brutal horrific things that these people did to one another and even innocent people at times. Then it would be contrasted by the scenes they would have together laughing and joking with each other and going home to their loving families. In a way it would make it better to deal with and gives some justification that it was all for some kind of twisted common good. Well it wasn’t, and I believe this dialogue took place to remind Carmella and the audience that the things they do are not ok at all and will inevitably destroy all that surrounds them.
I once went to a Christian counselor. I told her of the a abuse by my narcissistic husband. We had our Bibles open and we prayed before the session and everything. I think Of was expecting her to give me some scriptures to study and read and try to live like, maybe, Proverbs 31. You know, scripture about the woman who does everything while her husband sits in the square… Well, when the session was over, she gently closed her Bible and say it on the table on front of her seat. She folded her hands in lap and looked me dead in the eye and said, “When you leave here, go home and pack your stuff and leave immediately. ” She said, “Nothing is going to change and pretty soon, he will start to hit you. Don’t wait for that to happen. Leave now. Take your children and leave now. ” I think of all the years of suffering I could have avoided had I listened to that therapist that night…
“I would have to get a lawyer, an apartment…” Says all you need to know about Carmela. She gets the odd pang of guilt but ultimately she is only really upset about the adultery, and that’s because it’s disrespectful to her. She doesn’t care about where the money she has comes from, and she has no more of a moral compass than Tony or any of the other mobsters.
“Most brutal scene in entire series” is the right formulation. This psychologist is right in the middle of the series a voice of eternal human values and the reason. Even the FBI officials and prosecutors are just cynical careerists. The young pastor was especially disgusting.\r For millions of viewers for whom Tony Soprano is not a notorious liar and felon but a hero and an idol, these few minutes will have been strange.\r In a sense, this old man is certainly the voice of producers and scriptwriters. But the fictitious person of Carmela Soprano was not understanding. Probably not a big part of the millions of fans too. Carmela returned to her world of lies.
When rewatching this scene, I honestly think Sully Boyar should’ve been nominated for an Emmy. Despite being on screen for 4 minutes, he delivers one of the best moments in the whole show with a subtle yet brutal honesty. Of course, credit must be given to the writers of this scene, revealing that Carmela’s only choice of getting out of her current life is leaving Tony for good, something which echoes throughout most of season 5. If only more psychiatrists like him existed in the real world.
This is my favorite scene in the whole show. I never forgot it as the series went on, and I started to get swept up in the power fantasy or having connection with the characters. This one scene grounded them all forever, with the only character in the entire show who had real principles and spoke the truth. “You can never say you haven’t been told.” Is one of the most powerful lines in film/television history for me.
I gotta be honest, the first time I watched this scene I was having trouble staying awake. Not really listening to the words, just the very nature of this scene is slow and quiet, but I kicked myself and rewatched it the day after and am realizing that this is one of the best scenes in the entire show. One-time appearance character just dropping truth bombs on Carmela with no mercy. So good
Truly a scene that’s incomparable to any other in the series. There is not a single other character on the show who isn’t in some way morally or ethically compromised by buying into Tony and the life he leads. Even the better and more just people among the cast, Melfi, Carmela, and Meadow or the female FBI agent, for example, are shown to be in some ways poisoned by the presence of these guys in their life, and the show emphasizes that repeatedly. The psychiatrist was, as far as I can remember, the only person who was completely unambiguous about the lives these people lead, the only one who could just come out and say they’re all guilty, end of story.
This man simply obliterated every corner that Carmela tried to run to. Several characters had called her out upon an occasion, but this is where the show emphasises that she is morally beyond redemption and in perpetual denial about who she is. She’s a terrific character, but one that I grew to hate almost as much as Tony.
The brilliance of this scene is that it lays bare Carmela’s hypocrisy. She rightly hates the fact that Tony openly cheats on her and treats her like crap. Yet she also lacks the courage to leave him, not so much because she is traumatized, but because she enjoys many of the material and social aspects of “the life” and doesn’t want to face the prospect of starting over. As a mob wife, she has money and social power. Without Tony and the crime family she’s just another girl from jersey. Her therapist challenges her to leave him and she doesn’t have the courage to go out on her own. Because of that, she too is complicit in Tony’s criminal activities because she enjoys the ends, if not the means.
This scene is a masterclass on how to appeal to a person’s conscience. It perfectly encapsulates the struggle that we all have with fallacious thinking. But the take away point here is that nobody lacks a conscience. The conscience keeps us grounded in reality. It’s our moral compass, and this scene demonstrates that even one that’s been knocked off course can be corrected. When you speak plainly, people can attempt to rationalise all they like, but they have no choice but to listen. The truth is bulletproof and so, too, are we when we’re convicted by the truth.
It’s like perusal a boxing or mma fight where one fighter suddenly, rapidly pulls ahead of the other, just absolutely teeing off on them. Head shot after head shot with every attempt at an answer or stuffed and blocked easily, followed up by a vicious counter. The fighter getting methodically dismantled being Carmela’s rationalizations, manipulative tactics and willful blindness. Carmela even looks like a beaten up and bruised fighter after a losing bout. And it’s so perfectly acted by both these actors. One of the finest scenes in the series.
It didn’t initially occur to me how preposterous it is that Carmella casually accuses the doctor and Jewish people in general of not caring about “the sanctity of the family” as much as she and Tony supposedly do. It’s perplexing that Tony’s whole crew is so obsessed with traditional Catholic values when they abide by basically none of their espoused principles. Except for maybe Bobby, all of the mobsters on this show are boorish, violent, lecherous, self-serving, reflexively dishonest, and casually sexist and racist. Tony and co.’s utter moral bankruptcy shows just how hollow all the old cosa nostra ideals about loyalty and brotherhood actually are.
Great acting by both of them. It’s very obvious in the facial expressions Edie makes that this is the first time someone has been so bluntly honest with her about who her husband is. She dresses up the fact that her lifestyle is paid for by the blood and misery of others and when it’s convenient for her casts blame onto Tony for being a mafia boss. However, the honest truth which Dr. Krakower gives her is by staying in the marriage and continuing to buy things using the money Tony brings home, she is complicit in his criminal activity. How far of arms length she is kept from the full truth so she’s not an “accessory after the fact” as Tony puts it is irrelevant. She knows he’s a lowlife mobster who has committed horrible acts as she puts it but continues to stay so the doctor here is saying if you continue to do this, you reap what you sow. This is her version of being told “Listen to Mister Mob Boss” as Tony was by Meadow. It’s so upsetting because deep down both of them know it’s the truth but don’t want to give up the lifestyle it affords them so Carmela is indeed a giant hypocrite.
Ironically, this is the most pure spiritual moment of the show amongst all the catholic christian masquerading that the characters engage in. Look at the episodes where Tony and Christopher are in the hospital after they’ve been shot and Carmela ‘talks to god’ – all false tense bullshit. This is the most purest moment of spirituality for her in the show.
This man is the MasterMind of all characters in the Sopranos. Mentioning Dostoievski, this name, to come up in Sopranos … Unreal! He’s making Melfi and her co-terapeuts look like bunch of amateurs, who sorely rely on their diplomas and pills, without having real life advices, like most of all other doctors out there. And to no accept money…This character had so much to offer, pitty that there’s only this scene with him…
I forgot about this scene honestly. This and Dr. Melfi’s revelation about Tony are the two unmaskings of the romance and appeal of these Godfather like characters who truly feed off of other people’s suffering. Even Silvio who often seems loyal, decent in his dealings with others is a user and a brutal killer.
This scene comes back later when Carmela is unable to secure a divorce lawyer. Even without a lawyer, she can still follow this psychiatrist’s advice and leave Tony without asking for a dime. It would be hard on her. She would be broke, she might have to take a minimum wage job and move in with her parents. But she would finally be free of Tony’s corruption and set a moral example for her children. In the end she can’t do it. She capitulates and goes back to Tony. Increasingly, I believe the Sopranos was steeped in deeply religious themes. That Carmela specifically remarks on this psychiatrist being Jewish was meant to call out that he represents an “Old Testament” approach to spirituality: redemption must be earned by acts of change and penitence. Everything else is just self-deception.
What I like about him is he tells it like it is and tells her what she needs to do to resolve the situation. Many therapists, sadly, just keep it going for the billables/money. When I was a Sports Injury Rehab Therapist I didn’t just “halfway” fix them so I could make money off of them. I resolved the issue as quick as possible. It would have been awesome if at the end of her session with him that he told her he wasn’t going to treat her anymore until she did what he told her to do. Kind of like “tough love”.
I found this sceen and interaction on e of the most powerful in tv ever. 1. Therapist is mater of fact and unapologetic 2. Will not appease a patient into thinking they are ok . tells it how it is and he has distin for the way therapy has become a crutch for society. 3. “The one thing you can never say… Is that you have not been told.” I use that line alot after perusal this….
He’s right criminals must have accomplices and enablers to operate and just because you’re not doing it doesn’t mean you’re clean and exempt from the consequences of said lifestyle. My parents were career criminals and as a child I was complicit in the crimes being committed and by my teens I was just like them . I joined the marines at 18 against my parents wishes and I felt free for the first time in my life and I never spoke to my parents again and once they both passed away I truly felt free .
“many patients want to be excused for their current predicament for events that occurred in their childhood… That’s what psychiatry has become in America. Go to any shopping mall, or pride parade and witness the results.” Holy shit snacks… This show just had line after line that was prophetic beyond its time. Gawd damn that hit hard.
When you watch this compared to Dr. Melfi and Tony, you see the sharp contrast between wisdom and knowledge. Melfi had knowledge in psychiatry, but lacked wisdom. She saw Tony, in my opinion, almost like a science experiment, not the monster he truly was. This guy had the wisdom to see right through the bullshit and call her out for it. If kids had more parents like that, we would have less problems, but we all want to blame everyone but ourselves for our own actions.
The genius behind this scene is that Carmella isn’t simply a character being told she’s full of it and ahe ignores all gbe misdeeds because she’s living a lavish lifestyle despite it hurting her ego to be cheated on. She is US, the audience that glorifies and loves these psychopathic characters. I’ve read “Crime and Punishment” and that book is a slap in the face of the reader and it puts the mirror back at us. This is the show trying to tell us, “oh so you love these evil characters we created huh? Bet you’d find this show boring if it was a bunch of loving men running charities.”
The interesting thing that never gets touched on is that DR MELFI recommended this psychiatrist. So she gave Carmela to a doctor that flat told her the brutal truth, she’s every bit the criminal that Tony is, the whole family benefits from blood money, but act like they don’t know that. We see that when Carmela & her dad build her ‘spec house’, dad cuts corners and then sells off the copper from the house. She grew up with shady morals being winked at too, just like Tony did.
I think she was going to leave initially because she saw it as an insult with what the psychiatrist said. It wasn’t that she inferred that he meant that Tony has done far worse: theft, assault, murder… She took it as this insult that Tony is cheating on her and the psychiatrist doesn’t see that as the worst thing he’s doing. Out of all of his misdeeds, Tony cheating on Carmela is the worst in her mind. This shows two things: 1. She refuses to understand the situation she is in. It’s all about her woes and what she can get out of it monetarily. The psychiatrist tells her to take the children and leave immediately, and she responds about having to find a divorce attorney. 2. Just like Tony, Caramela sees the world just as Tony explained it to Dr. Melfi. They’re soldiers. It’s a job. They have to do what they do. Carmela doesn’t want to know how he does it, but so long she gets the jewelry and the cars and the big fancy house, it’s all fine. Tony’s only crime in her eyes is him cheating… What does that say about Carmela?
Wild how so many comments are calling Melfi incompetent. Melfi was Tony’s psychiatrist, not Carmela’s. Tony and Carmela are going to require radically different approaches in therapy, and theres no way the same confrontational/brutal honesty approach would’ve had any effect on Tony. If anything it would’ve made the situation worse. Even then, long term, nothing Krawkower says has much of an effect on Carmela either. It’s a cathartic scene to watch because someone is finally calling Carmela out for the same shit most viewers of the show would, but all he really accomplishes here is making sure that Carmela never tries to get therapy again. Which is tragic, because I can’t think of a character who would’ve benefitted more from it.
I website this conversation very frequently in my practice of Psychiatry. Especially that part about what American Psychiatry has become. The simple fact is that the vast majority of persons with lousy childhoods manage to rise above it, and this needs to be both examined and celebrated. No one had a perfect childhood. You have to find a way forward.
This was one of the best true, under the curtain scenes in the ENTIRE show. You could just feel the reality. We watch and smile and go “OOOOOOOHHhhh! AHhhh!! No wayyy!!!” then when a serious scene like this plays and this shrink gives her the most legitimate base reality on the situation. Your just like “shit.. I love tony. But this guy is RIGHT in a realistic level”. “Take the children, what’s left of them. And go.” that was impactful. Fantastic writing/acting.
I’m currently studying to be a counsellor, and this to me is a representation of a true psychiatrist…a dying breed. He cuts all the bullshit and gets right to the point without showing any emotional attachment whatsoever. He makes a great point as to the psychotherapeutic method of excusing the patients current predicament by apparent causes in childhood (a big part of psychoanalysis) It can be useful to explore and understand environmental factors such as abusive parents, but you have to take responsibility for your actions as an adult,and be willing to confront your shadow, understand the function of your behaviour, and work towards self healing, self redemption. This doctor prescribed the only possible cure for Tony: turn himself in and read Dostoevsky in his cell for 7 seven years,and seek redemption .brilliant scene, and one of only clued up characters in the whole show. The old man in the hospital,after tony woke up from his coma,is another man tony should of paid more attention to. But he was too far gone.
One of the genius things about the writing on this show is not only do the writers show off the luxury and grandeur of being in the mob, but also the terrible ethics and morals. The therapist represents us, the audience in a manner of speaking, because we’re asking the same questions and noticing the same lack of morals. The least of Tony’s bad deeds is indeed cheating on Carmella.
Blunt and to the point. It reminds me of a scene when Carmella and Tony were talking about his cheating after he got out of the pool. He told her that she knew his family and who they grew up around. Wise guys like Tony’s father, Dickie Moltisanti, etc. You knew the deal and now you want to act surprised when there are women on the side. Carmella liked the money, jewelry, French manicures, nice cars, huge house etc. but hated the fact that Tony could not be this loving faithful husband. The life of a wise guy enables infidelity especially when it’s served up to you on a platter i.e. strip clubs. So this shrink wasn’t telling Carmella anything she did not know already.
This echoes the later session Melfi has with her analyst, where she decides to stop treating Tony. The thing is, neither session really solves anything. This is Chase, basically lecturing US, for enjoying Tony’s wicked life so much. Then wishing we’d seen him die at the end, so we’d have absolution. Which Chase refused to give us. She already had left him–or rather, kicked him out of the house. In season four, “Whitecaps.” But they reconciled. And no, it wasn’t about her belief in the sanctity of marriage, or anything some poor excuse for a priest told her. It’s about the fact that she loves him, and her crush on Furio (who Tony may or may not have succeeded in getting whacked later, and she doesn’t want to know) changes nothing, nor did her affair with another man. Melfi does ‘leave’ Tony–in that she stops treating him. Probably because she was starting to come to terms with her attraction to him, and she knew that could not possibly end well. She told herself he was a sociopath–I don’t think so. I think he was just raised with criminal values, and much as he is capable of love, at the end of the day, he can’t choose another life. Neither can Carmela. It’s not really that brutal. I mean, compared to what happened to Adriana? Or Ralphie? Or hey, Pie-o-My! The performance is great, but moral lectures are a dime a dozen. Dostoevsky? Seriously? I’m a fan, but all Tony would learn from that book is that amateurs don’t know how to cover their tracks. Melfi joked that if Tony wanted to be a better gangster, he should read The Art of War.
So much comes out of this scene. First, we learn that Carmela is an antisemite and that tells us more about her character, that she has an internal hatefulness to her. Second, we learn that she is fully aware that Tony is a criminal and that everything she has is because of that criminality. Third, we learn how well aware she is about Tony’s infidelities and that it’s not just an occasional thing, which wasn’t clear before this episode. Fourth, we learn that there is absolutely no way that she would ever leave Tony because she knows that leaving him would mean losing her life of privilege. Fifth, we see Carmela becomes aware that she has no marketable skills and that she would never be willing to put in the work necessary to develop such skills, which is why she would never leave Tony.
Harrowing. Ours is an era in which we slash and grab desperately for excuses and justifications for our actions (of whatever sort), our ideologies, our prejudices, our entitlements, and our misguided arrogances. The harm done to us in youth only allows for brief reference—it justifies nothing. The cold, terrifying Truth will find us on the darkest night in the most secret place and it will not be moved by our excuses. Great acting, writing, and blocking from one of the finest television series ever. Potent.
Excellent. Marvelous. Splendid. This scene captures the mood of the whole Sopranos saga. The writing and acting are genius. Its like Star Trek The Next Generation, the scene in the very first episode when Q warns Captain Picard. The whole series he was monitoring how they act in certain situations. Q was perusal like a parent, seldom intervening, until the very end. He was a ever-present moral compass that Picard needed. Same here, Carmela’s guilt for accepting this lifestyle ebbs and flows throughout the series. It is ever-present, and in this scene it is the first attempt at verbalizing it. Alas she failed more than once to do what the good Dr asked her to do, and what she knows is the right thing to do: leave him, and take the kids.
Wow what a great scene. Carmela sure enjoyed the trappings Tony provided for her. She could never come to terms with the eventual outcome. In real life is an every day occurrence for people who are involved with unsavory characters. Life is really hard. The therapist gave her a cold slap on the face to wake up. She never did though
Another one of those scenes where most people wouldn’t list this as memorable or their favourite, but they’re the ones that really matter to this show. Blunt, honest and to the point – which Carmella finally needed, if only that she finally needed to own up and pay the moral price for what she allowed, turned a blind eye to etc. When she parrots back what she thinks he may say – the pseudo therapy bollocks at 2:39 and he’s “what did I just say?” He’s not there to massage her ego and give her the easy answer. She’s guilty too, she’s enabled him. Tough shit, live with it and if you’re lucky? You may get to save your children. Brilliant
One subtle detail I love is that they hired an actor who chose and/or was directed to have a very “uncinematic” diction. He pauses at odd points, his voice is raspy and some words jumble. He’s not “compelling” or “magnetic” or “dynamic.” This is in such stark contrast to the main cast of the show, and it’s so deliberate. When he mentions that Dostoyevsky is a tough read, that line is a metatext acknowledgement that this scene itself is a very hard read to watch relative to the show and the advice it points out isn’t magical and not based on insight– it’s based on pragmatism and cold animal reality, and the human spirit stripped of most of its comforts and distractions and indulgences. Brilliant scene.
5 years later: this guy is unethical. Is he Socrates? No. He’s a medical professional with a patient. I’m sorry, would this make sense coming from an orthopedic surgeon? It would be equally ridiculous. And why would she give up child support and how would her attorney get paid? Grab your share of the estate before the feds freeze it. Finally, what kind of idiot would not counsel his patient on the risk of leaving a rage-filled serial murderer without a good exit strategy that includes lawyers guns and money? The audience is being manipulated into liking this guy by decent writing and excellent acting. His duty is to his patient not to a moral ideal. He’s a disgrace to his profession.
Great scene. She never admits she loves the money and will give any excuse to keep it. Then have the crocodile tears when he cheats. She knew the drill she just wanted the poor me and have the guy tell her she is a victim. When he called her out she went back to the priest that told her what she wanted to hear. Meadow was the same way. When called out she defended Tony because she did not want to give up the house and gifts from daddy.
The most hated word in the english language is “no”…..as in ‘no I won’t co-sign your bulls*t and let you lie to yourself’. This doctor delivered that message to Carmella in a tough love way that put the responsiblility on her to walk away from the lifestyle and moral corruption that Tony’s crimes brought her and she couldn’t do it. Powerful scene.
Seeing this exceptional scene again confirms how beautifully written and acted it was. The elderly Jewish psychologist appears only in this single 4-minute scene, but he is one of the most important characters in the 6 seasons of The Sopranos. This clip makes me think ahead to the final scene in the diner in the last episode, in which Tony pays the ultimate price for his criminal life. What is impossible to know is whether any of his family are killed with him. It’s quite possible that Carmela and at least one of the children dies too. The fact that the family gathered together in the diner, oblivious to the danger that hung over them despite the war between the New York family and the Sopranos, was a direct result of their moral blindness – which the old psychotherapist frames bluntly to Carmela.
This and the scene where AJ meets the Military School Headmaster, are the two most important scenes in the series. The people closest to Tony are miserable and are offered a way out. Like all things worth doing it will be a long and difficult road, but it will make them happier in the end. Both AJ and Carmella decide to stay under the corrupting influence of Tony, which makes him the devil…..
This was the scene that made me understand that Carmela was just as bad as Tony After three maybe four years finally coming to understand that Carmela, new everthing The, Tony did, and was OK with it if it meant that her life would not be disrupted And this, this was the pivotal moment, when a complete stranger, who had no skin in the game, told her flat out if you stay, you’re an accomplice. You’re condoning and excepting everything that he does, and you are not a victim. And the first thing she did was try and rationalize a way to except it. And when he called her on it, the next thing she did was try and figure out a plan to maintain her lifestyle without having to directly deal with Tony and he called her on it again. When he told her flat out that there was no middle ground, no compromise no option three. It was either stay with him and be a party to everything that he is and does or leave him behind completely, and move on with your life with no strings attached to him, she made her choice. She might not have pulled the trigger, but she was just as bad as Tony soprano in the end
I love how Carmela tries to pardon her enabling by falsely summarizing his advice as “define stronger boundaries” and “not internalize”, then immediately gets her rationalization of her askew morality shut down as he tells her straight up that she needs to leave her situation to save herself. Made me chuckle.
Carmela was as psychotic as Tony. Deep down I think Tony knew what he was. But Carmela actually believed she was the good citizen and house wife. Despite her actions of getting Meddow into collage by turning up and saying threats with a smile then playing dumb. Asking Tony to get the building control approval( knowing what means he would use) . Then after A. J’S teacher calls her out she threatened him…
As we all know, and have agreed, part of what makes the Sopranos one of the greatest, if not, the greatest television show, is the writing, which is brilliant beyond all measure. In equal measure, the performances. Here…one appearance for a total of four minutes, and the actor, Sully Boyar, has impacted the entire series. Extraordinary.
But what a lot of people don’t see is that Carmela is a victim of sociopathy. It trickled down Tony’s family and infected them all. Even meadow had flashes of manipulation, greed, trickery, turning the other cheek. So did Melfi(as we all saw in the end). And Melfi was supposed to be the de facto ‘moral compass’. She accepted Tony’s payments for services rendered knowing damn well where they came from and remember that scene where her son calls and says I need some expensive books after tony doled her extra and she thumbed the bills in her hand. Bottom line, they’re all victims of the greater scheme of sociopathy.
See, here’s the problem with real talk therapists: Their business model relies on keeping you coming for sessions. So they can’t risk offending you with the truth. They have to keep you happy. Even when it’s against your self-interest. Even when a brutal truth (that offends/hurts in the moment) may be the kick in the butt that you need most in order to better yourself, they won’t give it. Because that risks you not coming back for the next session.
This guy right here is exactly like my real psychiatrist. At first I hated going to him, I was on and off going. Then when I committed, I got through so much in my life and feel so much better for it. Having someone be as real as this guy with someone, is extremely rare and no one will ever like it unless you really open your ears, listen, and do. EDIT: Always remember that old psychiatrist like this who’ve been doing it forever, have seen and heard it all. Your problems are nothing new to them and they have the experience. People in general don’t want to hurt your feelings are just always trying to have you hear what you want, but these psychiatrist aren’t afraid to tell you that you’re a £uck up and they generally do really want to help you even tho it may not seem like it at times, clear the smoke from your eyes and you’ll eventually see that they are and being real with you, is the first step and it’s §hit you need to hear.