What Is The Best Canon Lens For Wedding Photography?

Canon’s RF 28-70mm f/2L USM lens is a great choice for wedding and event photography due to its weight and lack of image stabilization. It has a wider maximum viewing angle and a 5-stop image stabilization feature. Macro lenses are also popular for newborn photography, allowing for candid portraits and joyful landscapes. Canon’s EF 24-70mm F/2.8L II USM and Sony FE 24-70mm F/2.8 GM SEL2470GM lenses are recommended for wedding photography.

The Canon EF 24-70mm F/1.2L lens is a solid 50mm lens that offers speed and versatility for capturing wedding celebrations. The Canon RF 70-200mm f/2.8 L IS USM lens is considered one of the best zoom lenses for wedding photography, offering a versatile range of focal lengths and a fast f/2 aperture. The 70-200mm lens also allows for candid captures.

For portrait shots, prime lenses are recommended, as they require a 1 meter minimum focusing distance. Fujifilm XF 50-140mm f2.8 WR OIS is an effective telephoto zoom for wedding shoots, with first-rate optics. The Canon RF 28-70 f/2L USM is the best fast zoom for weddings, but it may not be suitable for wide-angle group shots or capturing the entire wedding party in the frame.

Is the Canon 50mm lens good for wedding photography?

The 50mm lens is flexible and can be used in many situations to take different types of photos. We always have one of these 50mm lenses on our cameras during the wedding day because it’s flexible and easy to use. You can use it from a distance and get tight shots or overviews. It doesn’t look strange at wider focal lengths.

We’ve used this for all kinds of wedding photos, from family formals to portraits, ceremony, and reception. We used it to take night photos of an outdoor wedding venue. The Canon EF 50mm f/1.4 USM Standard & Medium Telephoto Lens is a great backup 50mm lens. It’s also great for softer images. If you want a 50mm but can’t afford the expensive one, this may be a good choice.

Which Canon camera is best for wedding?

The main takeaways are: The Canon EOS R6 II is an amazing camera. I’ve used this camera a few times and like it. If you’re a Canon photographer, I’d recommend buying this camera for weddings. You can buy the Canon EOS R5 ($3,499 on Amazon) with a 45 MP resolution. I don’t think it’s worth the price or useful for wedding photography.

Main takeaways: The Fuji X-T4 is the only Fuji camera I recommend. I know Fuji owners will hate me, but I don’t think they have the best cameras for weddings. This camera is a crop sensor, like most of their cameras. I’d recommend one of the big three listed above unless you have to have a Fuji camera. This article contains Amazon affiliate links. If you buy something through one of these links, I get a commission. It doesn’t cost you anything extra. Thanks for your support!

Is Canon 5D Mark IV good for weddings?

Conclusion: 5D Mark IV review The camera has many good features, including good ISO performance, low-light autofocus, faster frames per second, and beautiful files. It is a great camera for wedding photographers. I’m excited to use it more and spend more time behind the viewfinder.

12 September 2016; 5D Mark IV Review. After reviewing the Sony A7R2, I decided to review the 5D Mark IV. I’m a wedding photographer and use my cameras at least once a week. I use my cameras for 10-12 hours a day in challenging conditions. They get knocked around, dropped, and sometimes broken (oops!). This review of the 5D MKIV will give you an idea of what the camera can do and what it can’t do. I won’t cover anything technical. No charts, graphs, or sensor tests. There are many other resources on these topics.

Below, you will find a menu of topics. I’ve used the 5D MKIV for many weddings and engagement shoots, so I know it well. I’m not a “gear head,” but I’ve been waiting to replace my 5D3 for a long time. I’m excited about the 5D Mark IV, which is why I’m writing this review.

What MM lens is best for weddings?

35MM f/1.4 – This lens is great for capturing the whole room, the seated guests, the head table, and the dance floor. It works well in low light, which is common at evening events.

50MM f/1.2 – This lens is great for the head table, glasses, candy bar, food, and other details.

85MM f/1.2 – Great for the bride and groom dance. It works well in low light and helps cut background distractions. It’s great for getting close to speakers.

What lens is best for wedding ceremony?

CEREMONYI arrive to the ceremony location about 30 minutes before it starts so I can document the location unobstructed by guests, clothing, or purses that can sometimes weaken the photograph. During this time, I load my small bag with the lenses Ill need to document this portion of the day.Lenses I carry with me:70-200mm IS f/2.8 – this lens is my ceremony go-to lens for weddings with more than 75 guests. The goal is always to go unnoticed by wedding guests, so I try to remain at a safe distance from the bride and groom for most the ceremony. This zoom lens is great for close up photos as well as quick focusing abilities as the bridal party and bride walk up the aisle.35mm f/1.4 – this lens is great for an overview photo of the ceremony location and guests seated during the vows. It really helps set the scene of the ceremony and helps tell the story.50mm f/1.2 – I keep this lens on me in case Im in a pinch and someone asks for a portrait. Its common for guests to want to be photographed or a family member requests a quick family photo, so in these cases, Im prepared with a lens that is great for this request. *PORTRAITS (family, bridal party, and bridegroom)The goal for me during this portion of the day is to stay on my toes and have a myriad of lenses that give me the latitude to quickly change given the size of the group Im photographing. For instance, family photos can range from 35 people in one shot and 4 people in the next. I dont want to use the same lens in this situation, so I carry lenses that will quickly offer variety. When it comes to photographing the bride and groom, I use the 50mm, 35mm, and 85mm extensively as they reflect my style and vision. More details and explanations here…Lenses I carry with me:35mm f/1.4 – this has been my go-to lens lately. I love the width of this lens (it closely captures what the natural eye sees) and it works well for groups ranging from 2-9 people.24mm f/1.4 – this lens is awesome for large groups. Any group with more than 10 people is mostly documented with the 24mm, although I must caution to allow space at the edges of the photo because this lens distorts at the edge. You dont want Auntie Mae complaining that her booty looks twice as big as normal on account of your photography, right?!50mm f/1.2 – I occasionally use this lens for portraits ranging from 1-2 people. Its great for bride and parent combinations, as well as groom and each groomsmen combinations, and its a solid lens for bride and groom portraits.85mm f/1.2 – JD uses this lens quite a bit during portraits because he stands at a distance and captures candid moments that occur during my placement of pairings/groups for formal photos. This lens is great for capturing that stolen look a bride gives her groom, a flower girl adjusting her flower basket, or the ring bearer crying in the arms of grandma. As a second shooter, JD is great at anticipating (and capturing) these moments. *RECEPTIONI adore prime lenses at the reception because they offer so much latitude in low-light situations. I usually shoot a mix of photos leveraging flash filled and ambient light photos, but I personally lean toward ambient lit photographs. It has a more natural appeal and an authentic vibe to the reception, but I also use flash in case the creative team (florist, venue, coordinator) prefer traditionally illuminated photos. I also have an off-camera light set up (you can read more about it HERE) in the corner of the room and it offers just enough light to create the dimension I love in usually dark photos, especially during the first dance.Lenses I carry with me…35mm f/1.4 – this lens is great for a reception overview photo (where I clear the room to get an unobstructed view and no one in the background), as well as using it for the grand entrance. When the bridal party is announced, I love focusing on the subjects, but also love the story told around their entrance, which is usually happy guests cheering them on. I also use this lens for a portion of the first dance for a wide angle of guests watching the couple and story surrounding their beginning moments has husband and wife.50mm f/1.2 – I use this lens quite a bit for detail photos (head table, individual tables, centerpieces, the wedding cake, toasting glasses, dessert bar, seating cards, etc) as well capturing candid photos during cocktail hour when time permits. The 50mm is also great for the first dance when I want the focus to be on the bride and groom85mm f/1.2 – I adore this lens for its ability to allow me to stand at a distance in low light and still capture what I want. The 85mm is golden during the father/daughter dance, speeches, and the first dance. Theres just something magical about the light it captures and the bokeh it produces. However, because of its weight, I put this lens away in the backpack as soon as formal dances have concluded…that sucker is heavy!24mm f/1.4 – this is my all time favorite lens for capturing party/dancing photos. Yes, photos of individuals dancing are important (and JD captures those brilliantly), but when guests are boogying on the dance floor, the story surrounding the dancing guests are just as important as the dancer himself. Reactions tell a much different photo and the 24mm is so wide that it captures this really well.

What Canon lens is best for event photography?

Best long lens for outdoor portraits: Canon RF 70-200mm F2.8L IS USM. This lens is great for candid shots of people relaxing and interacting outdoors after the ceremony, says Félicia. If you need to keep a distance, the Canon RF 70-200mm F2. is great. Wedding and bridal fashion photographer Félicia Sisco says the Canon RF 50mm F1.2L USM is her favorite lens. “This shot is perfect,” she says. The f/1.2 aperture lets you see detail and the background is smooth. Taken with a Canon EOS R5 and a Canon RF 50mm F1.2L USM lens at 1/8000 sec, f/1.2 and ISO400. © Félicia Sisco. The right kit is key for any wedding. What are the best Canon lenses for wedding photography? What are the best features to look for in a Canon wedding lens? Which lenses will be reliable and fast to focus? We spoke to Félicia Sisco and Fabio Mirulla. Sisco is a wedding and bridal fashion photographer based in Paris and Corsica. Mirulla is from near Florence in Italy. He won the International Wedding Photographer of the Year award in 2021. Here, wedding photographers show us their favorite Canon lenses for wedding photography. Mike Burnhill, Canon Europe’s Senior Product Specialist, explains how these lenses are well-suited to wedding photography.

Is 24mm wide enough for a wedding?

This lens is great for weddings because it has a useful range of focal lengths. 24mm is great for wide shots that include the surroundings. It also zooms in for close-up portraits. Here are some times I love having this lens on my wedding day.

Prep. I love being able to work in small spaces during prep and not missing the shot. With the 24-70, I always have the right lens!

Ceremony. The ceremony is the most important part of the day, so I won’t miss a shot because I’m changing lenses. With the 24-70mm lens on my camera, I can capture the whole ceremony. I’ll zoom out to 24mm to capture the whole venue.

Is F2.8 enough for wedding photography?

If you can’t afford one, they’re expensive. Rent one or look at the Tamron. G2 versions of the lens. They’re incredible.

Can I use an 85mm lens for a wedding?

The 85mm lens is great for capturing people in the church pews, especially the parents of the happy couple. It’s also good for capturing funny moments during a long church wedding ceremony.

What is the most used lens in wedding photography?

Most wedding photographers use a 50mm or 85mm lens for wedding portraits. These focal lengths let you take sharp, high-quality shots of the bridal party and guests. Prime lenses have wider apertures. Most can reach f/1.8, while some can get even lower to f/1.4 or f/1.2.

What lens do event photographers use?

An 18-55mm lens is usually fine. For a corporate awards event, key shots may include a group photo of company leaders and individual shots of employees receiving their awards.