What Lens For Bride Coming Down Aisle?

The text discusses the process of capturing wedding photos, particularly when the bride enters the church. The 85mm lens is used for capturing moments during the entrance and the 35mm lens for close-up shots. The 35mm is ideal for tight hotel rooms or stunning ceremony locations, while the 35mm is suitable for getting ready photos in small hotel rooms. The author suggests using one shot or servo depending on light availability, setting high ISO and fast primes for dark churches, and keeping the shutter above 1/160-1/200.

The text also provides tips for brides walking down the aisle, such as smiling, standing up straight, and choosing traditional songs to walk down the aisle. The author recommends listening to classical entrance tunes like “Here Comes the Bride” or “Wedding March,” as well as Stevie Wonder’s “You Are the Sunshine of My Life.” For family formals and bridal parties, the author uses the 35mm 1.4 lens for portraits and close-ups, while the 50mm or 100MM macro f/2.8 lens is perfect for capturing finer details like rings, bouquets, and jewelry.

The text also mentions the importance of using the Sigma 85mm F1.4 DG DN Art lens on Leica SL2-S for capturing candid moments during the wedding ceremony. The Canon 70-200mm f/2.8L lens is also recommended for capturing candid moments. Overall, the text provides valuable insights into the best cameras and lenses for wedding photography.

Is a 50mm lens good for weddings?

I document the groom getting ready and the bride getting ready. We open our backpacks and load our smaller lens bags with the gear we need to document this part of the day. We need to have a wide range of lenses. We use prime/fixed lenses to shoot in low light without flash. I carry: 35mm f/1.4 – great for capturing the room and bridesmaids. 85mmmm f/1.2 – This lens is used to capture portraits of the bride and bridesmaids. The 85mm has a photojournalistic appeal, so I love shooting from a distance in the prep room with a wide aperture to blur the background and focus on the bride. The 50mm f/1.2 is the most versatile lens. The 50mm is not as wide as the 35mm, but it offers more latitude than the 85mm. It also focuses faster! I use the 50mm for everything from prep, candids, the bride getting dressed, and details. The 100mm macro f/2.8 is great for small details like wedding rings, beading on a dress, or small sparkling details (like a crystal on a wedding invitation).

CEREMONY: I arrive 30 minutes before the ceremony to document the location without guests, clothing, or purses in the way. I load my bag with the lenses I need to document the ceremony. My lenses: 70-200mm IS f/2.8. This lens is my go-to for weddings with more than 75 guests. I try to stay away from the bride and groom during the ceremony. This lens is great for close-up photos and quick focusing. It’s also good for overview photos of the ceremony location and guests seated during the vows. It helps set the scene and tell the story. 50mm f/1.2 – I keep this lens on me in case someone asks for a portrait. Guests often want to be photographed, and family members sometimes request a quick family photo. I’m prepared with a lens that’s great for this.

PORTRAITS (family, bridal party, and bridegroom) I want to be ready for anything during this part of the day. I need to have a variety of lenses so I can quickly change depending on how many people I’m photographing. Family photos can have many people in them. I don’t want to use the same lens, so I carry lenses that will offer variety. For the bride and groom, I use the 50mm, 35mm, and 85mm lenses because they reflect my style. More details and explanations here… Lenses I carry: 35mm f/1.4 This lens captures what the eye sees and works well for groups of 2-9 people. The 24mm f/1.4 is great for large groups. I mostly use the 24mm for groups of more than 10 people, but I must warn you that this lens distorts at the edges. You don’t want Auntie Mae to complain that her butt looks big in your photos, do you? 50mm f/1.2 – I use this lens for portraits of 1-2 people. This lens is great for portraits of brides, parents, grooms, and groomsmen. It’s also good for candid moments during formal photos. This lens is great for capturing moments like a bride giving her groom a look, a flower girl adjusting her flower basket, or the ring bearer crying in the arms of grandma. JD is a great second shooter. He knows how to anticipate and capture these moments.

What is the best lens for wedding ring shots?

The macro lens lets you see every detail in rings and engravings. Here’s a shot of the bride and groom’s rings side by side. You can see every detail in both rings. Wedding photographers, get a macro lens! I’ll leave that for a moment. When I started wedding photography, I wanted to get my portrait lenses before I bought a macro lens. I figured I could shoot my rings from a distance and then crop them. I would set my lens to manual focus and get as close as possible. I never understood why my ring wasn’t in focus. Here are some examples of my old ring shots. If you know macro photography, you know these settings were wrong. The crop method can distort your image and create more noise. These images didn’t look like the ring shots in the Zales catalog or other wedding photographers’ ring shots. I decided to try macro tubes. I knew right away that these tubes wouldn’t give me the quality I wanted. It was like putting several pairs of glasses in front of my camera and attaching my lens. It didn’t let in enough light, and focusing was difficult. I didn’t want to be fiddling on my wedding day. I know photographers who use tubes, but I decided they weren’t for me.

What is the best lens for wedding dance floor?

35MM f/1.4 – This lens is great for capturing the whole room, the seated guests, the head table, and the dance floor. It works well in low light, which is common at evening events.

50MM f/1.2 – This lens is great for the head table, glasses, candy bar, food, and other details.

85MM f/1.2 – Great for the bride and groom dance. It works well in low light and helps cut background distractions. It’s great for getting close to speakers.

Which eye lens is best for wedding photography?

6 Lenses for Wedding Photography: 70-200mm. This is my favorite lens. … 50mm. Another favorite lens. 24-70mm. The 24-70mm zoom lens is great for smaller spaces. … 100mm Macro. 16-35mm. 85mm. Wedding photography is a mix of different types of photography. Few genres demand more from photographers and their gear. To deliver a complete wedding photography product, you’ll need lenses that let you capture different aspects with artistry and creativity. In a perfect world, we’d have all the lenses we need. In reality, we’re limited to a few high-quality, versatile lenses. Here are six essential wedding lenses.

What is a 70 200mm lens good for weddings?

The 70-200 is a must-have for wedding photographers. No one likes to see the photographer running around during the ceremony, up close to the couple, in their faces, or behind the minister, distracting the guests from the stars of the show (the bride and groom). Last week I blogged about the one lens you could use for an entire wedding. This week, we’re talking about the perfect marriage of lens and camera! Hey, we’re talking weddings. Why not marry the lenses? The Canon 70-200 f/2.8 L IS USM II is like the Canon 24-70 f/2.8 L USM II’s husband. It’s bigger and stronger but just as good as the other. They’re the perfect pair! Together, these two lenses cover 24-200mm, so they can handle most situations. Canon 70-200 f/2.8 L IS II USM. You need the 70-200 for wedding photography! No one wants to see the photographer running around during the ceremony, up close to the couple, in their faces, or behind the minister, distracting the guests from the bride and groom. Even if you don’t use this lens the rest of the day, you need it for close-ups of the bride and groom during the ceremony, ring exchanges, and the kiss. As the photographer, you don’t want to be seen or heard during the ceremony. Rick and I choose spots before the ceremony to get a unique perspective. We stay put and have this lens ready.

In 15 Minutes! If we’re short on time on our wedding day, having the 70-200 on my camera body saves me time because I don’t have to stop to switch lenses. I can take 50 unique portraits in 15 minutes. You can take full-body, 3/4-body, and upper-body shots in both horizontal and vertical without moving. In less than 60 seconds, you can deliver six images for your client. When zoomed out to 200mm, this lens creates stunning portraits.

Is a 24mm lens good for weddings?

This lens is great for weddings because it has a useful range of focal lengths. 24mm is great for wide shots that include the surroundings. It also zooms in for close-up portraits. Here are some times I love having this lens on my wedding day.

Prep. I love being able to work in small spaces during prep and not missing the shot. With the 24-70, I always have the right lens!

Ceremony. The ceremony is the most important part of the day, so I won’t miss a shot because I’m changing lenses. With the 24-70mm lens on my camera, I can capture the whole ceremony. I’ll zoom out to 24mm to capture the whole venue.

Can you use a 50mm lens for wedding photography?

I like using the 50mm for bridal portraits before the ceremony. It’s also great for photos of the bride holding her bouquet. The 50mm produces beautiful, creamy bokeh. I love that! Canon 50mm 1.2L: What’s in our bag? For photographers: data-jpibfi-src=idaliaphotography.com/wp-content/uploads/2014/11/06-14499-post/whats-in-our-bag-canon-50mm-1.2_0002.jpgjpg 940w, idaliaphotography.com/wp-content/uploads/2014/11/06-14499-post/whats-in-our-bag-canon-50mm-1.2_0002-300×223.jpg 300w The 50mm lens has a fixed focal length, so I can’t zoom in or out. I have to move closer or farther away from the subject to zoom. The lens produces beautiful images! Canon 50mm 1.2L For photographers, data-jpibfi-src=idaliaphotography.com/wp-content/uploads/2014/11/06-14499-post/whats-in-our-bag-canon-50mm-1.2_0003.jpg srcset=idaliaphotography.com/wp-content/uploads/2014/11/06-14499-post/whats-in-our-bag-canon-50mm-1.2_0003.jpg 940w, idaliaphotography.com/wp-content/uploads/2014/11/06-14499-post/whats-in-our-bag-canon-50mm-1.2_0003-300×223.jpg 300w.

Is 24mm wide enough for a wedding?

This lens is great for weddings because it has a useful range of focal lengths. 24mm is great for wide shots that include the surroundings. It also zooms in for close-up portraits. Here are some times I love having this lens on my wedding day.

Prep. I love being able to work in small spaces during prep and not missing the shot. With the 24-70, I always have the right lens!

Ceremony. The ceremony is the most important part of the day, so I won’t miss a shot because I’m changing lenses. With the 24-70mm lens on my camera, I can capture the whole ceremony. I’ll zoom out to 24mm to capture the whole venue.

Which is better 50mm or 85mm lens?

85mm vs. 50mm: main advantages. Do you want to shoot landscapes too? This lens is for you! You don’t need to be close to the subject. You can keep your distance. The quick focus lets you shoot videos. The 85mm lens is better than the 50mm lens because you can focus on your subject. The 50mm lens has a shallow depth of field, which helps you do that. The 85mm lets you focus on your subject, which draws the viewer’s attention. The lens has both pros and cons. Let’s look closer.

85mm lens vs. 50mm: disadvantages. Here are the main disadvantages:

Can I use an 85mm lens for a wedding?

The 85mm lens is great for picking out people in the church pews, especially the parents of the happy couple. It’s also good for capturing funny moments during a long church wedding ceremony.

Which lens is best for bridal?

Most wedding photographers use a 50mm or 85mm lens for wedding portraits. These focal lengths let you take sharp, high-quality shots of the bridal party and guests. Prime lenses have wider apertures. Most can reach f/1.8, while some can get even lower to f/1.4 or f/1.2.