What Stuod Made Bride Of Frankenstein?

The Bride of Frankenstein, a classic 1930s horror film, was directed by James Whale and spawned a series of sequels including The Bride of Frankenstein and Son of Frankenstein. The film, which was initially reluctant to follow the success of the original Frankenstein, was eventually commissioned by Universal Studios. The Bride of Frankenstein is a fictional character first introduced in Mary Shelley’s 1818 novel Frankenstein or, The Modern Prometheus and later in the 1935 film Bride of Frankenstein. The film features Elsa Lanchester as the Bride, and the characters’ designs feature a conical hairdo with white lightning-trace streaks on each side. The Bride of Frankenstein is loosely based on the classic Universal Studios movies and many other horror films and series. The story revolves around ambition, humanity, loneliness, the segregation of the other, and the meaning of the word monster. The film is a love letter to a story about ambition, humanity, loneliness, and the segregation of the other.

What studio made Dracula and Frankenstein?

By the late 1930s, Universal changed their mind about horror films. The studio put Dracula and Frankenstein on tour together. It was a big hit, with lines around the block at some theaters. The studio made Son of Frankenstein, which paired Bela Lugosi as Igor with Boris Karloff as the monster. Like its predecessors, it was a big hit and started a second cycle of horror films. From 1939 to 1946, Universal released over 30 horror films, including Frankenstein’s monster, Dracula, the Mummy, the Invisible Man, Claude Rains as the Phantom of the Opera, and a new monster. Creighton Chaney was a monster from the past. His father, Lon Chaney, played the first Phantom of the Opera. However, Chaney Sr. didn’t want his son to be an actor. Creighton became a plumber instead. After his father died, Creighton could act. He didn’t like being called Lon Chaney Jr., but it got him bit parts at studios. He got good reviews for his role as Lenny in the 1939 film Of Mice and Men. This led to a contract at Universal, where he was soon cast in Man Made Monster. It was a minor hit. The film’s producer-director, George Waggner, cast Chaney Jr. in his next film, which would become Chaney’s defining role. The Wolf Man wasn’t Hollywood’s first werewolf film. Universal made Werewolf of London in 1935, but it was overshadowed by other movies. The Wolf Man quickly became popular. Curt Siodmak’s screenplay is simple but like a folk tale. The film’s most memorable lines were written by Siodmak, but have since been quoted as authentic folklore. Claude Rains returns as Sir John Talbot, the father of Lon Chaney Jr.’s Larry Talbot. The film also stars Ralph Bellamy, William Wellman, Patric Knowles, Bela Lugosi, Maria Ouspenskaya, and Evelyn Ankers. The Wolf Man is still the best werewolf film, even after 80 years. No other werewolf film is as famous. Lon Chaney Jr. played the Mummy, Dracula, and Frankenstein’s Monster at Universal, but he is most closely associated with the Wolf Man. He was the only actor to have played the role during the classic Universal Horror cycle. He played the Wolf Man four times: in Frankenstein Meets the Wolf Man, House of Frankenstein, House of Dracula, and Abbott & Costello Meet Frankenstein.

Who makes the bride of Frankenstein?

The Bride of Frankenstein appears in the 1967 film Mad Monster Party as The Monster’s Mate. She is voiced by Phyllis Diller. She lives with Frankenstein’s Monster (Fang) on the Isle of Evil. The Bride of Frankenstein appears in the 1972 film Mad Mad Mad Monsters, voiced by Rhoda Mann. This version has hair over her face. Her face isn’t seen until the end of the film. Baron Henry von Frankenstein created her to be his monster’s mate. Henry’s assistant Igor wants the Bride for himself when Henry plans a wedding at the Transylvania Astoria Hotel on Friday the 13th. The Bride of Frankenstein appears in the 1973 British television film Frankenstein. The True Story is played by Jane Seymour. This Bride is created using the head of a peasant girl named Agatha and a body created by Dr. Polidori. Polidori wants to use the Bride as a political tool. Elizabeth Frankenstein learns she is a reanimated corpse when she sees the scars around her neck. Polidori kills Prima by pulling off her head. In the 1974 film Young Frankenstein, Elizabeth styles her hair like the Bride. The Bride of Frankenstein appears in the Looney Tunes 1988 animated short The Night of the Living Duck. She’s in Daffy’s dream with Frankenstein’s monster at a nightclub. Daffy asks Frankenstein’s monster how the Bride is doing. The Bride hisses at Daffy. In the 1988 animated film Scooby-Doo! and the Reluctant Werewolf, the Bride of Frankenstein is featured as Repulsa, voiced by B.J. Ward. In the 1990 animated series Gravedale High, the character Miss Dirge is based on the Bride of Frankenstein. The Bride of Frankenstein is one of six monsters featured in the 1998 pinball machine Monster Bash by Williams. The game is about forming a band with classic Universal monsters. Every monster has their own game mode. To start, you have to add them as a band member. The Bride is the singer. This version of the Bride was created before the Monster. She asked Dr. Frankenstein to make her a perfect husband. In her game mode, she attacks the monster with kitchen appliances after being disappointed by the doctor’s work. The Bride of Frankenstein appears in The Grim Adventures of Billy & Mandy, voiced by Jane Carr. She lives at the Home of the Ancients retirement home, where she’s friends with Dracula and Wolfman. The Bride of Frankenstein appears in 2005–06 in DC Comics Seven Soldiers. Frankenstein and later stories about that version of the Creature (who calls himself Frankenstein). She works for the government organization S.H.A.D.E. and is separated from Frankenstein. The Bride says it’s not personal, but you weren’t her type. This backstory is reworked in The New 52 title Frankenstein, Agent of S.H.A.D.E. They separated after their son proved to be a homicidal monster and Frankenstein killed him. The Bride appears in the 2010-12 Adult Swim series Mary Shelleys Frankenhole. She was created as a companion to Victor Frankenstein, but she disliked him so much that she had her hair replaced with fire to keep him away. The Bride is in a relationship with a vampire named Mohandas Gandhi. The Bride of Frankenstein is Eunice in Hotel Transylvania, voiced by Fran Drescher. She is Frankenstein’s wife, Wanda’s best friend, and Dracula’s daughter Mavis’s aunt. She is a diva, dressed in a black miniskirt and pink turtleneck. In the Showtime TV series Penny Dreadful, the Bride appears as Brona Croft (portrayed by Billie Piper), an Irish immigrant with a dark past who dies of tuberculosis at the end of Season 1. In season 2, she is brought back to life with no memory after Frankenstein’s monster demands a bride and given the new name Lily Frankenstein by Victor. She later learns that Victor created her. She tells the monster that they will bring about a new age of immortals. A brief romance with the immortal Dorian Gray ends when he doesn’t want to rule the world. The Bride of Frankenstein appears in the Vampirina episode Franken-Wedding, voiced by Anna Camp opposite of Skylar Astin as Frankenstein. The two of them get married at the Scare B&B. A modern version of the character is available as a cosmetic outfit in Fortnite as part of the official Universal Movie Monsters collaboration. A reboot of the classic Universal Monsters was planned, with The Bride of Frankenstein being remade. Angelina Jolie was considered for the lead. The first Dark Universe film, The Mummy, flopped at the box office, ending any more such films.

^ Chapter 20: Frankenstein, or the Modern Prometheus: Mary Shelley: Lit2Go ETC. ^ Vieira, Mark A.. Hollywood Horror: From Gothic to Cosmic. New York: Harry N. Abrams, Inc., p. 82. ISBN 978-0-8109-4535-7. James Curtis. James Whale A New World of Gods and Monsters. University of Minnesota Press, pp. 243–44. ISBN 978-0816643868. Vieira, Mark A.. Hollywood Horror. From Gothic to Cosmic. New York: Harry N. Abrams, Inc., p. 86. ISBN 978-0-8109-4535-7.

Which studio made Frankenstein?

Universal Pictures Frankenstein (1931 film) Frankenstein Universal Pictures Distributed by Universal Pictures Release date: November 21, 1931 Running time: 70 minutes Cast: Garrett Fort; Francis Edward Faragoh; Uncredited: Robert Florey; John Russell; Frankenstein 1818 novel by Mary Shelley; Frankenstein 1927 play by Peggy Webling John L. Balderston; Colin Clive; Mae Clarke; John Boles; Boris Karloff; Dwight Frye; Edward van Sloan; Frederick Kerr.

Who did the music for Bride of Frankenstein?

When audiences went to see Buster Crabbe in Flash Gordon’s Trip to Mars, they might have recognized some of the music. It was Franz Waxman’s music from The Bride of Frankenstein. Until 1938, the American Federation of Musicians allowed any music in the studio library to be used in any studio film. Waxman’s score was adaptable because he used symphonic music for horror, which could be used in other Universal horror films and serials. The studios started making horror films in 1925 with The Phantom of the Opera. They quickly moved into the sound era with Dracula and Frankenstein. The latter two films made stars of Bela Lugosi and Boris Karloff. Universal’s The Bride of Frankenstein is a masterpiece. It has angled sets and stark lighting. Karloff and Colin Clive both played the monster and Doctor Frankenstein in Frankenstein. The end of the sequel is the birth of the bride, with bright lights and wedding bells. Waxman uses a timpani to represent an obsessive heartbeat and ghostly strings and wind. Elsa Lanchester was great as Mary Shelley and the bride. Can you forget that zigzag hair? Designed by James Whale and Ernest Thesiger, Lanchester said:

Where did they film Bride of Frankenstein?

Bride of Frankenstein was filmed entirely on the Universal lot, allowing the designers to create their own world. Everything except the street scenes in the village was filmed on soundstages. Charles D. Hall’s sets are atmospheric, like Gustave Doré’s demonic woodcuts. Hall made the burning windmill and the watchtower laboratory much bigger and redressed the crypt from Dracula. The sets are impressive. They include a blasted forest with strange rock outcroppings, a waterfall and pool in a forest, a peasant hut, and a hillside graveyard. These exteriors are backed by huge sky cycloramas. The roof of the watchtower was filmed against a black background so that a stormy sky could be added. The grandest interior is the new version of Castle Frankenstein, which includes a huge central hall with arches and tall pillars, and large rooms with vaulted ceilings, windows, tapestries, and massive furnishings. The lab is where the Monster was created, but it’s much larger and more elaborate than the original. The refurbished space is filled with fantastic machinery created by Kenneth Strickfaden, the electronics genius who had furnished the lab equipment for Frankenstein. Another set is a dungeon where the Monster is shackled to a chair while villagers look down from a window. Other impressive sets include the cistern and waterwheel underneath the mill, the crowded interior of the hermit’s hut, Pretorius’ strange apartment, a mountain cave, a morgue, a courtroom, and village homes. John Mescall’s cinematography makes the sets and actors look their best. He worked well with Whale on five movies, setting up quickly and never bothering the director. In the village scenes, he captures the atmosphere of an isolated community with a lot of eccentric people. The camera moves away quickly at the start of the story. The camera follows action past walls several times. The Monster and Pretorius are often shot from low angles to make them seem tall. The scientists’ fanaticism is shown by the light on their faces and the camera angles.

What is Frankenstein’s monster’s name?

In the novel, he is never given a name. He is just called “the creature,” “the monster,” “Frankenstein’s creature,” or “Frankenstein’s monster.” Some say he called himself “Adam” and recognized himself as Victor’s son, making him Adam Frankenstein. But that’s not true. He doesn’t get the…

Who did the makeup for the bride of Frankenstein?

Jack Pierce, a makeup artist, made the monsters look special in this film. He changed his 1931 design to show the effects of the mill fire, adding scars and shortening the monster’s hair. Over the course of filming, Pierce changed the monster’s makeup to show that the monster’s injuries were healing. Pierce and Whale created the bride’s makeup together, especially regarding the bride’s iconic hair style. Lanchesters hair was given a Marcel wave over a wire frame to achieve the style. Lanchester disliked working with Pierce. She said he felt like a god. In the morning, he was dressed in white like he was in the hospital to perform an operation. To play Mary Shelley, Lanchester wore a white net dress embroidered with sequins of butterflies, stars, and moons. The actress heard it took 17 women 12 weeks to make. Lanchester said of her bride costume: I drank as little as possible. It was too much trouble to go to the bathroom with all those bandages and having to be accompanied by my dresser. 20.

Kenneth Strickfaden created and maintained the laboratory equipment. Strickfaden used some of the machines he made for Frankenstein in Bride, including the Cosmic Ray Diffuser and the Nebularium. A lightning bolt from Strickfaden’s equipment has become a common scene in movies and TV shows. John P. Fulton, head of the special effects department at Universal Studios, created the homunculi with David S. Horsley. They shot the actors in full-size jars against black velvet and aligned them with the perspective of the on-set jars. The foreground film plate was matted onto the rear plate. Billy Barty is briefly visible from the back in the finished film as a homunculus infant in a high chair. Whale cut the infant scenes before the film’s release. Whale met Franz Waxman at a party and asked him to score the picture. Whale told him: This picture ends with the destruction scene. Would you write an unresolved score for it? Waxman created three themes: one for the Monster; one for the Bride; and one for Pretorius. The score ends with a powerful, dissonant chord. This was Whale’s idea. It shows that the explosion was so powerful that the theater was affected. Constantin Bakaleinikoff conducted 22 musicians to record the score in a single nine-hour session.

What company published Frankenstein?

Frankenstein, first edition, by Mary Shelley. Set in England, Ireland, Italy, France, Scotland, Switzerland, and Russia. Published in 1818. Frankenstein is about Victor Frankenstein, a scientist who makes a smart creature in an unusual experiment. Shelley wrote the story when she was 18 and it was published anonymously in London on January 1, 1818, when she was 20. Her name first appeared in the second edition, published in Paris in 1821. In 1815, Shelley traveled through Europe, stopping in Gernsheim, Germany, near Frankenstein Castle. Two centuries before, an alchemist had done experiments there. She then went to Geneva, Switzerland, where the story takes place. Her friends talked about galvanism and occult ideas, especially Percy Bysshe Shelley, her future husband. In 1816, Mary, Percy, John Polidori, and Lord Byron competed to write the best horror story. Shelley wrote Frankenstein after thinking about a scientist who created life and was horrified by what he had made.

Who made the song Frankenstein?

The song was number one on the US Billboard Hot 100 chart for one week in May 1973. It was replaced by Paul McCartney’s “My Love.” Frankenstein sold over a million copies. It also did well in Canada, reaching number 1 on the RPM 100 Top Singles Chart the following month. In the UK, it peaked at number 18. In Mexico, it peaked at number 10. The song also peaked at number 39 in West Germany, staying on the chart for one week. The single was certified gold on June 19, 1973, by the RIAA. The song’s title came from the band’s drummer, Chuck Ruff. He came up with it from the many edits to the original recording. As the band changed the music, the song needed many edits to be shorter. The final track was made from parts of the original recording. Winter said the name was right because the beat was like a monster. Winter used the riff in the song Hung Up on his jazz album Entrance. He tried a variation on it on the 1981 Standing on Rock album. Winter played many instruments on the track, including keyboards, alto saxophone, and timbales. The song was not planned for the album, and was added at the last minute. It was originally released as the B-side to “Hangin’ Around,” but the label quickly changed it when DJs across the United States and Canada got lots of calls about it. The song features a double drum solo with Ruff on drums and Winter on percussion. The song was originally called The Double Drum Song. The group performed it with Rick Derringer on guitar on The Old Grey Whistle Test in 1973.

Where was the film the Bride filmed?

Filming. The Bride began filming on June 6, 1984 at Lee Internationals Shepperton Studios in England. Filming took place in France. Shooting finished in December 1984. This article is about the 1985 horror film. For other uses, see Bride. Sting, Jennifer Beals, Geraldine Page, Clancy Brown, Anthony Higgins, David Rappaport. The Bride is a 1985 horror film directed by Franc Roddam, starring Sting, Jennifer Beals, Geraldine Page, and Clancy Brown. The film is based on Mary Shelley’s 1818 novel Frankenstein. It follows Baron Charles Frankenstein, who creates a woman, Eva. His original monster, believed to have been killed in a laboratory accident, escapes into the countryside.

Is the Bride of Frankenstein better than Frankenstein?

Bride of Frankenstein is the best of all the films inspired by Whale’s Frankenstein. It is a direct sequel. Bride is more lively and funny than the first film. It also makes the monster more sympathetic and has more impressive visuals. Bride was made after the Hollywood Production Code was fully implemented. Its offbeat touches can be attributed to Whale’s attempts to evade censors. He added lots of gay images, knowing the censors wouldn’t understand them. Bride of Frankenstein starts with a new look. Karloff is now credited above the title of the film, but only by his last name. Then, a short credits sequence (with Franz Waxman’s dramatic music) ends with a cast list that includes the mysterious entry: The Monster is now credited as “?” in “The Monsters Mate.” The music changes at the end of the credits to a romantic theme that will run throughout the film. The music becomes dramatic again as the film cuts to a Gothic castle in a thunderstorm. This creates a horror atmosphere and makes us think this is the castle of Frankenstein. It’s clear that this is the castle in Switzerland where Mary Godwin wrote her story in 1816. This scene changes some facts about history. It says that Mary was already Mary Shelley at this time. It also says that the first part of the story had already been written. Byron gives a quick recap of the first film, then we move to the second. The suggestion that Mary and Percy are already married might be a nod to the censors, who were enforcing the Production Code, which forbade the depiction of immoral behavior. Mary says her story is a moral lesson about the punishment of a mortal man who imitates God. The events of Bride of Frankenstein start where the first film ended, but there is a bit of overlap. Henry has not returned to his castle yet. He is taken away, and the burning mill collapses. The villagers leave, thinking the Monster is dead. Maria’s father (Reginald Barlow) wants to see the dead Monster. The Monster is still alive and hiding in a pool of water under the mill. The Monster attacks and drowns the father, killing him. The Monster climbs out of the mill and throws Maria’s mother (Mary Gordon) into the pool, killing her.